Please click on this link to see the latest article about my Women Fiction Writer friend, Celia Rose,
Way to go Celia with your new book
Category: readers
The Writer’s Block Tip #4 by Jason Rekulak
Tell the story of a job interview that goes badly.
The more your character wants the job, the better the story will be. ………. Jason Rekulak
Oh boy. I can tell of an interview gone bad.
I had worked in a different state selling real estate for over ten years, but after a move to a new state, and knowing that it takes years to build a client base in real estate in a new town, it was time for a change. I didn’t have two years to build my client base. So I decided I needed a salaried job that would offer me some stability. The only thing I could find related to real estate – sort of – it was renting commercial space in the buildings this company owned. I figured “sales is sales,” so how hard would selling rental space be? But when the interview turned to experience and the talk turned to net leases and triple net, I was lost. But desperate as I was, I plundered ahead, nodding my head and digging myself deeper by the minute. I am not a liar, but I found myself twisting the truth to get the job. It was obvious that I was not being believed. I am the worst liar, and even more so when I am nervous or desperate. I left that interview defeated and lost. What was I to do? But miracles of miracles, I got a call back. He was going to hire me. He implied he knew how inexperienced I was in commercial leasing (that was an understatement) but he admired my tenacity and determination and thought I could use that same aggressiveness to find tenants throughout the city for his spaces. I got the job. (Note: I did very well at it but hated commercial leasing – I went back to residential sales.)
Now it’s your turn. What interview did you botch? Did you still get the job?
The Writer’s Block Tip#3 by Jason Rekulak
To outline or not to outline by Jason Rekulak
Outliners are most common among thriller and mystery writers, for obvious reasons. Jeffery Deaver (The Bone Collector) claims that the surprising plot twists of his suspense novels wouldn’t be possible unless he plotted out all of the details in advance; he usually spends eight months researching and writing the outline, and four months writing the manuscript itself.
But non-genre writers use outlines too. John Barth wrote: “I don’t see how anybody starts a novel without knowing how its going to end. I usually make detailed outlines; how many chapters it will be and so forth.”
On the other side of the fence are writers who prefer a more organic approach to their craft; Aldous Huxley wrote, “I know very dimply when I start what’s going to happen. I just have a very general idea, and then the thing develops as I write.”
If you are suffering from writer’s block, try changing your approach. Make a detailed outline of the story – or plunge headfirst into the opening paragraph without any idea where you are going. Either way, the change in routine may be surprisingly effective.
Readers, are you a planner (outliner) or a pantser (fly by the seat)? Personally, I am a basic outliner, but I allow my characters to lead the story, which sometimes takes it into unplanned territory. One funny experience I had while deep in the writing of my 2nd novel, Town Without Mercy, the dialogue between the two protagonists seem to write itself. When I was done, I laughed out loud, saying “That is not what I had in my outline at all.” But the story was better for it.
What have your experiences been in stepping out of your routine? Surprising outcomes?
High Cotton Country by Leta McCurry
It is a pleasure to have Leta McCurry with us today for an Author Interview. Leta and I have become friends through WFWA, Women’s Fiction Writers Association. I am still amazed at how technology can bring people together from opposites sides of the country, or even the world.
Leta, when did you first know you wanted to be a writer and was there a particular inspiration to get started?
I think I’ve always known I wanted to be a writer but I actually started writing at about twelve – from a twelve year old’s perspective obviously. The adventure, companionship, comfort and inspiration I received from being an avid reader is what first inspired me to put on paper the stories that were bouncing around in my head.
Do you have a background in writing or have you taken any special writing courses that helped you along the way?
No. The biggest help to me has been honest and forthright critique readers. Feedback from readers always gives me clarity about y writing and is a big help in my on-going endeavor to become a better writer.
What other work have you done, and how has it impacted your writing career?
Sales. I think sales taught me to take risks and put myself out there. And not to take rejection personally. And, while not work in the strictest sense, I think raising five children.
How long did it take you to publish your first manuscript?
About a year and a half from writing the first chapter through to publication.
Do you always write in the same genre?
My interest is in general/women’s fiction. I never intended to write non-fiction but at one point Prentice-Hall, New York offered me a contract to write a college textbook which I did and they published. That was just an unexpected side trip. I refer to my genre as women’s fiction but I have been told it is more general fiction. High Cotton Country has actually been read by several men and I’ve had really good geed back from them so I guess it is a cross-over between general and women’s fiction.
Many of us cross over genres and it is difficult to pinpoint one to fit our books. For the book we are promoting today, what shelf would we find it on if it were in a bricks and mortar bookstore?
Women’s fiction.
Do you have any special time or place you like to write?
I have a little cubby hole office hardly big enough to “cuss a cat” as my grandpa would say, but it works for me. Nice big windows with a view out at the green Oregon trees and foliage and blue sky (when it isn’t raining).
Are you published through a traditional publishing house? If yes, how did you find your agent and publisher?
Yes. Non Fiction. College Text Book. Publisher Prentice Hall sought me out based on a recommendation from a college professor.
Why did you choose to go the self-publishing Indie route in lieu of traditional publication on this project? What were the deciding factors to choosing your publisher? Would you recommend that same Indi publisher to a colleague?
I went the self-publishing route almost entirely because of the time factor involved in getting a book on the market via traditional sources. It just seemed that two years was a long time.
Do you always write in the same POV or narrative or do you switch it up in different stories?
I like to switch it up because everybody has their own perspective on events and situations. The same incident can and does have a different impact on different people. I have read books written from a one person perspective and they worked for me as a reader. I don’t know that I could make it work that successfully. To me, the difference is one perspective is like mashed potatoes and multiple perspective is like a baked potato with butter, sour cream, chives and chopped bacon. Having said that, I’ll probably end up writing a one point of view narrative someday.
Authors and publishers are always talking about finding your “Voice”. Exactly what does that mean to you and how did you find yours?
I think an author’s voice is that life and world point of view that is particular to each of us. That voice is the culmination of our circumstances of birth, the “imprinting” we received as we grew to adulthood, and the experiences that are unique to each one. And, the voice is always changing, growing, expanding, because as long as we are alive we are continually influenced by the world and people around us and our responses to those circumstances.
Do you follow a structure pattern such as staying in chronological order, or alternating points in time or different POV’s
I don’t follow an exact chronological order but I do follow a loose time framework. I do write in order though, each chapter in sequence. I have writer friends who may write chapter 20 then come back to 5 then write chapter 18 then 35 and come back to 6. That would drive me crazy.
What was the hardest part for you in the writing process; the outline, synopsis, query or building the story itself?
Query and synopsis. Lot harder that writing a novel. Now that I am in the midst of the process, writing is the easy part.
It is not enough to write a book and wait for the money to start rolling in. What marketing techniques do you implement to increase your sales?
Right now, personal networking. Exploring possibilities. Marketing has turned out to be a sharp learning curve for me and I’m still finding my way through the jungle. As I said, writing Cazzie’s story was the easy part.
Are you a pantser or a planner?
About 50/50 I think.
What advice would you give to new writers just getting started with their first manuscript?
Sit down and write. Edit later.
Who are some of the authors whose work you admire the most, and why?
Elin Hildebrand – she entertains me. Susan Crandall and Robert Morgan because I love their “voice”. They are from my neighborhood. And Ayn Rand – she makes me think. James Clavell and Lincoln and Childs– they transport me to other worlds.
Complete this sentence….. My first ever published piece of writing was….. “A poem.”
Please share a brief synopsis of High Cotton Country.
Secrets. Hidden they can destroy her from within. Revealed they can explode her world.
Come hell or high water, Cazzie Randle is determined to leave the past behind along with the hardscrabble life of a small hill country town but finds she can’t elude the secret trauma that haunts her – an act of unspeakable horror by her mother and abandonment by her father.
A message that her father is dying sends a reluctant Cazzie to his bedside but not to reconcile a lifelong estrangement. She must make him finally reveal the secrets of the memories that haunt her. He must answer questions of “Why?”
An explosion of truth in a dusty Texas hill country town reveals old secrets and demands choices. But will she be able to choose or will she be paralyzed by all the old hurts, cruelty and betrayals that have driven her all her life? To find the answer, Cazzie must confront the very essence of who she has become and question whether the price was too high.
High Cotton Country is the story of one woman’s journey to self-discovery. It is about the inherent dignity of the human being, of the burning desire to be in command of one’s own destiny, of the will, not only to survive, but to achieve, and to face adversity with courage and honor. This is not only the story of one woman’s fighting spirit, but also of the people who influence her self-esteem, shape her self-image and participate in her destiny.
Where can readers buy High Cotton Country?
Readers can read the first chapter of High Cotton Country at http://www.letamccurry.com/free-read/ and check out my blog at http://www.letamccurry.com/blog
Copies are available https://www.createspace.com/5060373 or
Thanks for having me, Joanne. It’s been fun. Leta
A Christmas Gift by Kerryn Reid
My friend,Kerryn Reed, wrote this beautiful Christmas story and she is allowing me to share it with you. I know you will love it.
A CHRISTMAS GIFT
by Kerryn Reid
©2014
“Is it tonight, Mama? Please say it is!” Sadie jumped up and down, flapping her arms like a robin fledging in mid-winter.
Marian Barnett smiled for her daughter’s sake. Since she had married John and moved to Yorkshire, wassail nights had been gay occasions. They would collect in shifting little knots of friends and family on Christmas Eve and sometimes again for New Year’s Eve and Twelfth Night, laughing at the cold and each other’s antics. They ran to keep warm and sang very badly, yet the rich folk in their snug houses smiled, and provided hot punch for them all, and maybe some cakes, and often pressed pennies or ha’pennies into the children’s hands to be spent on toys or candy. Then the wassailers would run along to the next house to try their luck. And somewhere along the way she would fall into the snow with John, pressed close through all the layers of wool, kissing each other’s numbed lips before hurrying home to strip those layers off and fulfill the craving they’d begun outside, drunk on wassail and Christmas and the long life they would share.
John was gone close to a year now, saving their daughter from the icy swirling river. Sadie was no substitute for him, but she was all Marian had, and her little heart was set on her first time wassailing. It would be Marian’s only gift to her – any coins they received must be hoarded for bread and milk.
“When do we go, Mama? Why can’t we go now?” All morning long the questions came. Where Marian found the patience to answer calmly, she didn’t know. Finally, in the afternoon, she set aside the shirts she was sewing for Mrs. Wallace and lay down with the child. Once Sadie was asleep, she would get back to the work that brought in those few all-important shillings.
She woke up when Sadie clambered over her, humming a tune with some words thrown in. “And all the little children hmm hmmm go, love and joy hmm…” It had been a bright day, but a glance out the window showed the dusk already lowering its veil over the town. Marian sighed. She’d wasted the afternoon. Already it was time to get them both fed and dressed; John’s brother would be stopping for them soon enough.
Sadie jumped from the bench for the dozenth time and ran to the door. “It must be Uncle Peter, Mama!” But it wasn’t, it was no one at all, and the cold rushed in again to mock their little wood fire. Not that Marian could blame the child. Hungry though she must be, hard brown bread soaked in lukewarm broth could not be expected to keep her at table when there was such excitement in the offing.
Marian gave up the battle. Small meals meant small work to clean them up – in a few minutes it was done. As soon as she stepped from the kitchen corner, Sadie flew to her side. “Oh, Mama, can we go now? Is it time?”
“Not yet, my robin.” Marian scooped her up, nibbling at her neck until she wriggled with giggles. “But it’s time to put on all our warmest clothing so we’ll be ready when Uncle comes.” She sat the child on top of the shelves John had built so they were almost eye-to-eye.
Sadie stuck her feet out straight while Marian pushed on an extra pair of socks, and then another. “Will we go to the big house?”
“Lord Ryndale’s? I’m sure we will.” Who more likely to give away money, after all? And oh, how disgusting to think that way.
A miniature pair of trousers, borrowed from Peter’s little boy, went under Sadie’s skirts, the hems rolled up so she wouldn’t trip on them.
“How about the pastor?”
“Definitely.”
A second gown went on over the first, and Sadie crowed with laughter at the idea of wearing twodresses. “An’ the new fam’ly down the lane, with the baby?”
That was easy enough to guess. Aubrey was their name. Marian had seen them at church. She remembered one Sunday in particular when the pastor had prayed for John’s soul. “And for his widow, Marian. She came to us a stranger, yet she was his, and now she is ours.” And all those eyes turned her way and she tried not to cry, because most of them didn’t look very friendly at all. But Mrs. Aubrey stopped her after the service, took her hand and said how sorry she was. A nice lady, gentle and soft-spoken.
“Yes, I expect so. Now it’s time for your boots.” These were also borrowed. Marian squeezed them on over all the socks.
“Mama, they’re too tight!”
Afraid they would split apart, Marian took them off again and removed one sock from each little foot. “Better?”
“Mm hmm.” A borrowed jacket and a knitted cap, and Sadie was ready for the finishing touches when Peter arrived.
Marian lifted her down and started on her own layers. An extra pair of socks, and then her own boots; a skirt underneath her old gown; and then Peter was at the door with Jane and Tommy and some of the neighbors, stomping snow on her clean floor.
Peter swung his niece into the air. “Well, Sadie, are you ready for your grand adventure?”
Her shrieks filled the room with happiness. Marian ran over to them with Sadie’s cloak and mittens, and once they were donned, the group headed out into the near-darkness. She tore her own cloak down from its peg and followed, leaving behind her own hat and the tattered old pelisse she’d intended to wear under the cloak. Peter did not like to wait.
Seven-year-old Tommy swung a lantern, and one of the men had a torch. They were hardly necessary along the main street, with all the light shining from the windows. But the richest homes in town lay farther apart on the side roads, darker and less-traveled.
“Put me down, Uncle,” Sadie squealed again after the third house they visited, and this time he did. Tommy called her a plum pudding and everyone laughed, the description was so apt as she waddled down the street in all her layers. Sadie just grinned. Peter and Jane took one hand apiece and swung her between them until they reached the next house. After that she tottered along between Marian and Jane, then Marian carried her for a while.
By the time they arrived in the square they were sixpence richer. A bonfire had been laid for the evening festivities. The bells would ring and the children would parade around the square with drums or makeshift instruments, making “music” to welcome the Christ child. But that was not ‘til eight o’clock.
The group headed out toward Lord Ryndale’s estate beyond the edge of town, paying their luck-visits at the houses along the way. Marian’s arms and shoulders ached. Who would think a half-starved four-year-old could weigh so much? The effort helped keep her warm, though already she couldn’t feel her feet.
She made Sadie walk and the two of them fell behind, reaching “the big house” as the rest of the group left it. Peter looked surprised when they passed on the big gravel drive. “You just getting here, then? They have good cakes inside. Best hurry, Sadie, before they’re gone.”
“You go on ahead,” Marian said. “We’ll catch up.”
“No, no. We’ll wait.” He did not sound happy about it. The others had not noticed her at all, and he watched after them as they passed on through the grand gate to the lane, talking and laughing. His feet remained rooted to the gravel, but the rest of him seemed to stretch out to follow.
Marian pressed her lips tight. “Go on. We’re fine.” Peter seemed to blame her, somehow, for John’s death. But even before that, he had never liked her much.
He didn’t even look at her. “If you’re sure,” he said, and was gone, may he rot. John had been worth a dozen Peters.
Sadie got a penny and a little Yule cake. “Mmm. It’s good, Mama.” But most of it crumbled into the snow as she ate it. Marian rejected the wassail bowl so they could catch up with the rest, but took her own cake for Sadie to eat later, carefully wrapped in a cloth.
They did not catch up. Marian carried Sadie, but it wasn’t long before she felt her arms would fall off. Thank God, the lights of the town shone clearer now, individual windows pricking out of the darkness ahead. Focused on those, she tripped in a rut and fell to her knees in the frozen lane.
If only she could warm herself, she could manage the walk home. But Sadie, plopping down on her mama’s thighs like a sack of potatoes, made it impossible even to stand up. Hard to believe this night had ever been fun.
“Sadie, love, you must get off.”
“I want to go home, Mama.” She did not cry, but her voice wavered with the threat of tears.
Oh God, so did she! “We will, sweetling, we will. But first I must get up.” She had never felt less graceful, her bottom in the air as she shoved off the ground with her hands. But she managed. “And next, we must visit this house.” It stood just steps away, all lit up, the gate standing open in welcome. Light meant warmth, and some hot liquor in her belly would work wonders.
They were halfway up the walk before she realized it was the Aubreys’ house. Not that it mattered; she would ask only a few extra minutes by the fire beyond the usual wassail offerings, and she would expect that much compassion from anyone.
A footman opened the door, tall and lean – no, he wore no livery. It was Mr. Aubrey himself. At least, she thought it was. “Merry Christmas,” he said, looking out beyond her shoulder to see how many followed her. Not many went wassailing alone.
“And to you, sir.” Curtsies were difficult, Marian found, on legs frozen stiff. “I fear I’m out of breath, or we would sing for you.” Thank goodness she had some excuse! Singing was beyond her capabilities at that moment.
“I’ll sing, Mama,” Sadie said from knee level. “Wish you a merry Kissmas, wish you a merry Kissmas, an’ a happy new year!” It was not very tuneful, but she ended with a shout and a flourish of her hand, and Mr. Aubrey applauded and laughed.
“Do come in, both of you. We leave shortly to watch the celebration in the square, but you are here in time for some punch.” He led the way into the parlor. It was not as grand as Lord Ryndale’s, yet her whole cottage might fit three times into this room. But she hardly even noticed, because of the fire. She could not afford enough wood to keep such a fire alive for three days!
The contrast in temperature made Marian shudder. Oh, it felt wonderful! Regardless of how it must look, she crossed directly to the fireplace, pulled off her mittens and held her hands out toward the flames.
While Mr. Aubrey gave Sadie a cup and a biscuit, his wife came to her with a glass of punch. Their fingers touched as Marian took her glass, and Mrs. Aubrey exclaimed, “Why, your hands are like ice! Please, sit down here and take as long as you need to warm yourself. And your daughter, too. Come here, little one.” She nestled Sadie beside Marian in the big chair.
“Oh, ma’am, bless you for this. We fell behind the others, and Sadie’s so swaddled she can hardly walk.”
“An’ Mama too,” Sadie said. “She falled down.”
“Oh dear. Yes, I see your skirts are wet.”
Marian looked down, appalled to think she might soil Mrs. Aubrey’s floor. “I’m so sorry, ma’am.” She started to her feet, but her hostess put a hand on her shoulder and pressed her firmly back down before seating herself in an adjacent chair.
“Don’t worry about that, please.” Smoky-blue eyes peered into Marian’s own. “I know you, don’t I? Was it not your husband who…” With a glance at Sadie, Mrs. Aubrey changed what she’d been about to say. “…Who saved your little girl? Such a hero. And a soldier too, was he not? I don’t recall the name, I’m afraid.”
“John Barnett, ma’am. And mine is Marian.” It was a struggle to get her own name out of her mouth. Dear God, she hadn’t cried in months. But with the cold, and the wishing, and the sympathy in Mrs. Aubrey’s pretty face… She choked on her tears, and a fancy embroidered handkerchief appeared in her hand. She hated to use the thing, but it would be worse not to.
“I am Anna Aubrey. I think the pastor said you’re not from these parts? I’m a “foreigner”, too, all the way from Bristol. Isn’t it funny, how Yorkshire folk think of us that way, as if we weren’t all English?”
Marian didn’t find it funny at all, but she supposed a beautiful woman with a wealthy husband and a fine home would always receive a warmer welcome than she had found. “I’m from Exeter, ma’am. My John was stationed there with his regiment.”
Sadie had been leaning heavy against Marian’s side, sleepy with the warmth as Marian was herself. But she pushed away and slipped down to the floor. “Don’t you have a baby, ma’am? Where is it?”
“My husband will bring her downstairs any minute. We’re taking her to the town square for the parade, unless we’re too late.”
Marian scooted forward and stood, still stiff and clumsy. She discovered that her knee hurt. “I’m afraid we’re keeping you, ma’am. I thank you, ever so much…”
Mr. Aubrey returned to the room carrying the prettiest babe Marian had ever seen, plump and healthy-looking, perhaps a year in age. A maid accompanied them carrying outdoor garments for the child. Sadie waddled over for a closer look, cooing and chattering to the wide-eyed infant.
Mrs. Aubrey smiled across the room at them, then turned back to Marian. “It’s been a pleasure to meet you, Mrs. Barnett. And if you don’t mind being a little bit crowded, we will be pleased to take you in the carriage back to the square, or to your home if you prefer.”
Did the woman not realize how far beneath her Marian was? “I could not ask you to…”
“But you didn’t, did you,” Mrs. Aubrey said. “So that’s settled.”
Though the drive took less than ten minutes, Sadie was asleep when they reached town. Kind as they were, Marian had no desire to show these gentry-folk where she lived. But still less did she want to walk there carrying Sadie. In fact, she didn’t think she could. Depending on darkness to hide the worst, she let them drive her home. They would never see the interior, at least.
Yet somehow, when they arrived, it happened. Mr. Aubrey took the child from her as they descended from the carriage. That was natural enough.
But when she reached out to take Sadie, he said, “No, let me carry her for you.” And then, in response to her protest, “It’s no trouble at all, ma’am.”
She had no choice but to open the door to the dark room, only a bit warmer than the outdoors. He said something over his shoulder to the footman on the box beside the coachman, and he took a lantern from its hook on the carriage and lit the way in.
Marian closed her eyes against the light and the embarrassment. Then she led the way to the bed and lit the candle beside it.
His manners were excellent. He said nothing about the place. She could not even tell that he inspected it. But for all that, she felt tension coming off him as he lay Sadie gently down and stood to his full height. His head bumped against the naked beam.
“I’m so sorry,” she said.
He ignored the apology, yet his voice was rough. He sounded angry. “Have you enough wood, ma’am? Where is your extra supply?”
Dazed and shivering, she answered him. He jerked his head toward the footman, who went out the door and turned to go where she had indicated.
“And food; what about food? Tomorrow is Christmas.”
“We sup tomorrow with my husband’s brother. We have enough.” Her voice cracked with the jumble of emotions roiling inside her. Anger of her own, humiliation, grief for John, fear of the long future without him, all played their part.
“I shall be back in a moment,” he said. The footman passed him in the doorway with an armload of wood. He added several small logs to the fire, working it until it blazed with warmth.
“Thank you,” she said, but he was not finished. He went back out for another load, and then another.
It was not Mr. Aubrey who returned, but his wife. She cast a brief glance around the room, then came to stand a foot in front of Marian. They were much the same height.
“I have a proposition, Mrs. Barnett.”
Marian fidgeted with the ties on her cloak.
“Have you ever been in service?”
Marian shook her head. “No, ma’am.”
“It doesn’t matter. We need a maid, and I like you. Will you come to us?”
Marian blinked, shook her head again. “I can’t leave my daughter.”
Mrs. Aubrey’s eyes widened in shock. “Of course not! The two of you will share a room.”
Oh, this was foreign territory. “I don’t know how to be a maid, ma’am.”
“You can learn as you go along. We’ll sit down and discuss your duties with the housekeeper. We can begin with small things, and you will grow into the job. Can you come now?”
Marian jumped at that. She had to try twice to get any sound out. “Now, ma’am?” Her voice rose to a squeak.
“I suppose that is rather abrupt. My husband tells me you dine with family tomorrow?”
Marian nodded.
“The day after, then. We’ll send the carriage for you at one o’clock? And perhaps a waggon, in case you have trunks or other large items. Will that suit?”
Marian nodded again. She stared like a stupid oaf, unsure if she should trust her eyes and ears. Could this be happening? Perhaps she had died out there in the cold, and the woman before her was Heaven’s angel come for her? She looked angelic enough. But the sweet, gentle creature she’d talked with earlier had developed a will of iron, and Marian could no more refuse her than she could fly. And why should she?
Fear, that’s why. Not knowing what to do, what to expect. What would be expected of her.
But it was a chance, better than any other she was likely to receive. A Christmas gift, for herself and for Sadie. Food, fire, and clothes that fit. Shoes, too. A place to belong.
Mrs. Aubrey pulled off her glove and put out her hand. “Do we have a deal, Mrs. Barnett?”
Marian gazed at that soft white hand for a moment, then she slipped hers into it, rough and brown. She felt a grin form on her face, though her eyes were wet with tears.
“A deal, Mrs. Aubrey.”
Romantic comedy in The Roche Hotel
Mysti Parker (pseudonym) is a wife, mom, author, and shameless chocoholic. She is the author of the Tallenmere standalone fantasy romance series. Her other writings have appeared in the anthologies Hearts of Tomorrow, Christmas Lites, Christmas Lites II, The Darwin Murders, Tasteful Murders and EveryDayFiction.
Other writing pursuits include serving as a class mentor in Writers Village University’s seven week online course, F2K. She finished her first historical romance this spring and has one children’s book (Quentin’s Problem) soon to be published, with one more waiting for illustrations, and many more stewing in her head.
When she’s not writing fiction, Mysti works as a freelance editor and copywriter. She also reviews books for SQ Magazine, an online specfic publication, and is the proud owner of Unwritten, a blog voted #3 for eCollegeFinder’s Top Writing Blogs award. She resides in Buckner, KY with her husband and three children.
Mysti’s Blog: Subscribe to my blog, Unwritten
Visit my webpage: www.mystiparker.com (in construction)
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Twitter: Follow me on Twitter @MystiParker
http://www.amazon.com/Roche-Hotel-Season-One-ebook/dp/B00NYCMIZQ
Mysti, for the book we are promoting today, what shelf would we find it on if it were in a bricks and mortar bookstore?
You’d find The Roche Hotel in the romantic comedy section, if there is such a thing. It’s also serial fiction, made up of connecting flash-fiction length stories rather like a sitcom. Is there a serial romantic comedy shelf in the bookstore? I wonder if they would mind if I built one…
Why did you choose to go the self-publishing Indie route in lieu of traditional publication? What were the deciding factors to choosing your publisher?
I started out being published with a small press—Melange Books. I love Nancy and the crew and I’ve seen several small presses that are doing great. I’ll definitely not be avoiding them in the future. I have tried the agent/big press thing. Had the agent—didn’t get me a deal in close to a year and a half, so I’m here to tell you that agents don’t necessarily mean you’ll get a publishing contract. Therefore, I’m taking advantage of self-publishing with The Roche Hotel and other projects. I like being in control of when it goes out, my cover art, how it’s promoted, and getting all the royalties myself.
Are you a pantser or a planner?
Pantser! Though I’m trying real hard to be a better planner. I’ll never be a stickler because it’s fun when my characters surprise me, but a little structure doesn’t hurt! Shameless plug alert—I wrote a recent article about that very thing: http://mystiparker.blogspot.com/2014/09/story-planning-for-pantsers.html
Complete this sentence….. Something/someone who helped me improve my writing is……. learning to give and get feedback from fellow writers at Critique Circle and Writers Village University.
What is the premise of your novel we are promoting today?
Here’s the blurby goodness:
After her husband ditches her for a blonde actress wannabe, Jane Seymour needs a job that pays the rent. The struggling Roche Hotel needs a miracle. With the former owner’s wife butting her nose into the renovations and new owners who are in way over their heads, Jane may be the answer to their prayers. Sure, she can handle The Roche Hotel’s quirky staff. But, can this skittish divorcee keep it all together when handsome Henry the Donut Guy makes his first delivery? This collection of serial fiction stories is a Tudorific romantic comedy that will leave you laughing out loud and hungry for more.
Thank you Mysti. Jane Seymour? As in the actress? The Roche Hotel sounds very interesting. Kind of serial romantic, comedy, mystery. A touch of everything. It should reach a large audience. When I first starting writing ficton commercially, I had a terrific online critique group, including Leona Pence that you probably know through F2K. WVU, Writers Village University has been a wonderful source for new and experienced authors. I highly recommend it to other authors.
Multi-published Women’s Fiction Author Kathleen Paterka says “don’t give up.”
A very special welcome to Kathleen Paterka. We met through the wonderful group, WFWA, Women’s Fiction Writers of America. Kathleen, when did you first know you wanted to be a writer and was there a particular inspiration to get started?
I fell in love with the written word in the 2nd grade reading my first Trixie Belden® book. In case you’re not familiar with the series, Trixie was a girl detective who teamed up with her brothers and best friend Honey Wheeler to solve mysteries occurring around their little town in the Hudson Valley area of New York. Trixie Belden changed my life. It was the first time I’d read a book with a plot and no pictures. I devoured the existing series (12 books), and anxiously waited for the next one to be published. It was around that time I made the decision that someday, I would be an author and write more Trixie Belden novels. While I never did tackle the world of Trixie Belden (the last book was published in 1986), I did start my own series. The James Bay novels (Fatty Patty, Home Fires, Lotto Lucy, and For I Have Sinned) are set in the fictional resort community of James Bay, Michigan. After finishing those four stories, I wrote another two books set in different locations. Royal Secrets is about a family-owned Las Vegas wedding chapel, while my upcoming release, The Other Wife, is set in Chicago. For my next book (which I’m currently researching), I’ll be taking readers back to James Bay.
I too well in love with writing over Trixie Beldon, as you can see from my own tattered copy. It is one of my treasured possessions.
Do you have a background in writing? What other work have you done, and how has it impacted your writing career?
In school, my teachers tried steering me toward Creative Writing classes, but I dug in my heels, screaming “No, no, no!” I didn’t like being forced to write poetry or short stories. I knew I wanted to be a novelist, and I couldn’t see any point in wasting my time by writing Haiku (sincere apologies to any Haiku-enthusiasts who may be reading this). While I concede that there are basics to the craft that must be mastered (sentence structure, proper grammar, plot elements, etc.), there’s simply no way another person can ‘teach you’ how to write a book. Want to know the secret? Sit down and start. It’s as simple as that. Caveat: notice I did not say it was ‘easy’. It may be simple, but it’s definitely not easy. After graduating college with a degree in Sociology, plus a few years spent working for a local newspaper, the Catholic church, and the law, I finally settled down where I belonged: in a beautiful castle located in Northern Michigan. My job as staff writer at Castle Farms (a century old French Renaissance castle listed on the National Register of Historic Places) is like a fairy-tale come true.
Kathleen, what advice would you give to new writers just getting started with their first manuscript?
The best advice I can pass along was given to me by an author friend when I was just starting out. This highly successful NY Times bestselling author told me: “Perseverance and persistence, along with discipline, determination and confidence, are EVERY bit as important as talent. Your belief in yourself… is THE ONLY THING that separates you from the hundreds who will fall by the wayside without their dreams and goals realized. Don’t give up. Don’t give up. Don’t give up. Work hard, work smart, work tirelessly. Be tough, be brave and be persistent. All clichés, yes. But when they apply to you and how much you want to realize your dream, they are very apt.” I’ve kept my friend’s message tucked close in my heart through all the ups and downs of my publishing career, and it’s served me well. Today, I’m sharing her message with you. Don’t give up!
Tell us about one of your book in 3 sentences. Fatty Patty (my first novel) is semi-autobiographical. Though I’m now at a normal weight (and have been for over 35+ years), I weighed three hundred pounds while in high school. Fatty Patty tackles the issues of dieting, dating, self-esteem, and exposes the gritty honest truth of what it’s like to be overweight in a society that worships thin.
What is the premise of your novel we are promoting today? My upcoming release, The Other Wife, will hit the shelves (and the cyber-world of Amazon, Barnes & Noble, plus Kobo) in February 2015. What happens in a woman’s life when her husband dies? What kind of secrets might be revealed? I came up with the idea when my own husband, Steve, actually died in front of me early one morning. I was sitting at the end of his bed in the semi-darkness when he made a strange sound. At the time, I thought it was the oddest snore I’d ever heard. Turns out, it was the infamous ‘death rattle’. Believe me, if you’ve never heard it, it makes the hair on the back of your neck stand straight up! Luckily, Steve was in the cardiac unit of our local hospital. They called a Code Blue, and the medical team managed to resuscitate him. He’s since had a triple by-pass and doing well, thank you! But that hospital experience in 2011 got me to thinking: What if Steve had been at home, asleep in our bed? What if he’d let out that horrible sound, and I’d assumed it was only a loud snore? I probably would have poked him, rolled over in bed, and gone back to sleep… what a horrible thing to wake up to in the morning. And what would my life have been like after that? Thus, a new storyline was born.
Can you share a few paragraphs from your book to whet our appetite?
Here’s the Prologue from The Other Wife… I hope you enjoy it!
It wasn’t much of a sound. Later, she would remember it as an odd sort of grunt. Still, it had been loud enough to wake her. Eleanor rolled over in their king-size bed, stretched out an arm, and nudged him. Richard’s snoring had worsened in the past months. She lay there in the darkness, waiting to see if another nudge was necessary. Just the other day, she’d read how snoring could be a sign of sleep apnea, leading to other, more serious, health problems. Perhaps tomorrow, depending on what kind of mood he was in, she’d mention the subject over breakfast. Maybe she should insist that he see a doctor. Not that it would do much good. Richard rarely listened to her. For most of the thirty-eight years they’d been married, he hadn’t listened to much of what she had to say. He’d probably give her his usual shrug, tell her to quit worrying.
Quit worrying. It wasn’t until five hours later that she realized she’d had good cause to be worried. She should have known that sound was different. She should have stayed awake. She should have tried to rouse him. Instead, she waited another minute, surrounded by silence. Then, turning over, she laid her head back on the pillow and curled up in her spot, still warm from sleep, snuggling into the clean, fragrant smell of freshly laundered sheets changed by Martha the day before. Closing her eyes, Eleanor drifted off into the most pleasant dream… only to wake the next morning to every woman’s nightmare.
Richard, in bed beside her, was dead.
Readers, go to Kathleen’s website. There is a place where you can enter to win a FREE copy of her new book, The Other Wife. I have read Fatty Patty and Royals Secrets. They are both fantastic. I can’t wait for The Other Wife to come out.
Thank you, Kathleen, for being on Author Interview Friday on Writing Under Fire.
Author website: http://kathleenirenepaterka.com/
Facebook: https://www.facebook.com/KathleenIrenePaterka
Twitter: https://twitter.com/KPaterka
Amazon: http://www.amazon.com/Kathleen-Irene-Paterka
Barnes & Noble: http://www.barnesandnoble.com/c/kathleen-irene-paterka
“Close to the Broken Hearted” equals heartache, innocence and forgiveness.
Welcome everyone to Author Interview Friday. It is my pleasure to have Michael Hiebert with us today. I’d like to change up the order of how my interviews usually begin and go straight to the short synopsis of Michael’s book, Close to the Broken Hearted.
At twenty-two, Sylvie Carson has known a lifetime’s worth of trouble. When she was a child, her baby brother was shot to death by a man named Preacher Eli. Orphaned by her teens, Sylvie is now raising her own baby with no partner in sight. For all these reasons, Leah Teal, Alvin, Alabama’s only detective, tries to stay patient when Sylvie calls the station day and night, always with some new false alarm. But now, Preacher Eli is out of prison amd moving back to town.
As far as he law is concerned, the old man has paid his dues; though Leash’s twelve-year-old son, Abe, vehemently disagrees. Between that and his relentless curiosity about the daddy he hardly knew, Abe’s imagination is running in all directions lately. While Leah struggles with how much of the past to reveal to Abe, she/s also concerned about Sylvie’s mounting panic. Something in her gut tells her the girl might be a target after all. For as Leah knows well, there’s danger not just in the secrets others keep from us, but in the lies that corrupt from within. It’s a hunch that will be tested soon enough as tensions mount on both sides.
Evoking the South with depth and grace, Michael Hiebert’s poignant, gripping novel captures the strength wrought by heartache and lost innocence; and the transformative power of forgiveness. Wherever it comes. . .
See folks, I knew that would be an attention grabber. Now, may I introduce Michael Heibert. Michael comes to us from the wintry land of British Columbia, Canada. He won the Surrey International Writer’s Conference Storyteller’s Award twice in a row. He teaches classes online at Writers’ Village University. (Did not notice that last week, author was also my friend I met at Writer’s village University. A great place to learn online and chat with terrific author friends you just haven’t met yet.
Michael, do you have a background in writing or take any special writing courses that helped you along the way?
I was very lucky to meet Dean Wesley Smith and Kristine Kathryn Rusch about ten years ago. They taught me a lot of what I know today. I went to writing workshops down in their house in Oregon where ten writers were sequestered into one space (we all had our own bedroom) and we’d be given eight hours of lecturing a day and expected to write 25,000 words a week. I write a lot. I write fast. I think these two things impacted my writing career more than anything else. Two years in a row I wrote over one million words (I used to keep track). I don’t write so much these days, but I can still do three books a year without breaking a sweat.
How long did it take you to publish your fist manuscript?
Well, I quit my day job and decided to become a real writer twelve years before actually publishing anything. During that time I wrote a LOT. I wrote sixteen novels and probably fifty or so short stories.
Twelve years. And you stuck with it. That is determination. Many of us cross over genres and it is difficult to pinpoint one to fit our books. For the book we are promoting today, what shelf would we find it on if it were in a bricks and mortar bookstore?
It IS in bricks and mortar bookstores and usually found on the mystery shelves, although sometimes it’s just placed under fiction.
Are you published through a traditional publishing house? If yes, how did you find your agent and publisher?
Kensington Books in NYC publish my adult novels. I self-publish my YA books and my short story collections. My agent found my publisher for me (that’s her job), but finding an agent wasn’t easy. It took me ten years. When I finally did find her, I literally ran into her on the sidewalk in New York. See the About Me section of my website for a more thorough description of how this happened. It’s pretty funny.
I did read your About Me section in your website. I LOVED the line “Fiction will always just be more entertaining than real life, so why not stretch things a teensy bit when you’re retelling them.” I’m going to keep that mantra in the back of my end while I am writing from now on. You’re casual style of writing in that section makes me feel like I know you already, that we’ve just shared a beer in a musky tavern. (No, readers, I am not sitting face-to-face with my authors at these interviews, but I hope it feels that way to you as you read them.) Readers, do yourself a favor and go to his website. You won’t be disappointed.
Do you always write in the same POV or narrative or do you switch it up in different stories?
My Alvin books (Dream with Little Angels, Close to the Broken Hearted, and the third, which will be released next spring and will be called A Thorn among the Lilies) have mixed POVs. My main character, Abe, always speaks in first person. Everyone else is a close third person. When I write other things I like to play with POV. Even in the Alvin books, each has a prologue written in what I call a “floating third” POV. It’s not quite omniscient, but it doesn’t stay with one character.
Authors and publishers are always talking about finding your “Voice”. Exactly what does that mean to you and how did you find yours?
Write a lot. Your voice will come. Listen to authors who have authorial voices you like being read by good readers. This is the quickest way to developing a good voice, as far as I’m concerned.
Are you a pantser or a planner?
If you want any kind of long term career and actually make money, you have to be a planner. Would you want your house built or your kidneys worked on by a pantser?
What advice would you give to new writers just getting started with their first manuscript?
Finish it before starting anything else. Even if it sucks donkey balls, finish it. It is unmarketable until it is finished, and it is probably not as bad as you think. Besides, that’s what first drafts are for. I call them SFDs. Shitty First Drafts. Get them done. Then put it away for two to four weeks before pulling it out and rereading it again. Then fix it.
Links:
Website: www.michaelhiebert.com
Blog: www.michaelhiebert.com/blog
Facebook: https://www.facebook.com/michael.hiebert67
Twitter: @Hiebert_M
Prayers to my dear friend and writer, Marty Fallon.
Today was the scheduled day to post my dear friend, Marty Fallon’s blog, but I didn’t know I was going to have to ask for everyone’s prayers for him. The day before yesterday Ia received a quick email that he was going to miss out monthly writer’s meeting because he was in a rehab center – because he had a stroke. OMG. He said he was typing his email with one finger. So, everyone, please say a special prayer for a complete recovery for this wonderful writer friend of mine.
So, I am going to plug along as if he was sitting right in front of me.
Marty, when did you first know you wanted to be a writer and was there a particular inspiration to get started?
English teachers supported my writing, first in high school and later in college. I was not an English major, but in those classes I did take, those professors acknowledged some of my offerings. Later as a school social worker, I had to write social histories on all students being considered for special education. Any flourishes above and beyond the generic psychological reports, brought some spice to an otherwise dull process. Their laughter, energized me. The epiphany, came from retirement guilt. I started a job at a local resort hotel, and, after three weeks, decided that those folks worked harder than I felt ready to sustain, so I quit. That experience became the inspiration for my first published book, The Concierge. But my first novella, still languishing on the hard drive, I wrote in a week. That was a rush, writing on yellow legal pads, reading the daily results to my wife, not stopping to get dressed.
I’m sure Gretchen is glad you finally got dressed. What other work have you done, and how has it impacted your writing?
I grew up and a farm, so I know mindless repetitive work. The pyscho-social jobs, in child neglect and abuse plus the school interventions gave me an appreciation of how dysfunctional behavior starts and the consequences of repeated social-emotional failures. In Florida, I found work as a home-health aide, and used my helping skills to establish relationships with older adults with diminished intellectual abilities.
How long did it take you to publish your first manuscript?
It took twelve years, and that might just as well have been forever, except Create Space came along to offer the digital publishing option many authors are now using to sidestep the traditional publishing barriers.
Do you follow a structure pattern such as staying in chronological order, or alternating points in time, or different POV’s?
My crime/relationship books are primarily in chronological order, because the danger inherent in repeated crimes requires resolution. And the relationships between the cops and the victims are also moving quickly. There may be one or two flashbacks to deepen our understanding of motive, but, by and large, my people are in a hurry to catch the bad guys and also pushing hard to make the personal contacts they think they need to improve their love lives.
Marty, tell us about one of your books in 3 sentences.
The book coming out in January, started with car ad, a girl in a bikini on the hood of a pickup, trying to sell her old vehicle. That level of desperation became the inspiration for Trouble On The Hood.
Who are some of the authors whose work you admire the most?
Carl Hiaasen, Randy Wayne White, John Sanford and Michael Perry. Hiaasen and White are ex-journalists from Florida and their subsequent knowledge of the state is superb. Sanford also has a journalism background, and he provides remarkable detail from Minnesota. Perry writes non-fiction, but he hasn’t strayed far from his rural roots. All these authors spin wonderful stories with drama and memorable characters. I want to have my writing rise to the quality their books demonstrate, so they will remain esteemed models.
What is the premise of your novel we are promoting today?
The Daughters, describes the odyssey of three women, a kidnapped girl from Colombia, an assaulted high-school student from a Lee County high school, and an impoverished eighth grader coerced into joining a local gang. As the lives of the victims come closer to overlapping, our local law-enforcement team, two of whom are getting married, attempt to gather the clues required to intervene before tragedy envelopes the little community of Bonita Springs.
Marty, our thoughts and prayers are miss you. We missed you at Marco Writers this week. For our readers, you can buy Marty’s books on Amazon at
Welcome award winning children’s mystery author Renee Hand
Today we have Renee Hand, a multi-award-winning mystery children’s author with us. Renee has created an interactive mystery series known as the Crypto-Capers Series that encourages children to read by incorporating several topics of interest. The reader participates into the story by solving cryptograms and puzzles to solve the case. She is also the author of the Adventures of Joe-Joe Nut and Biscuit Bill Series, which focuses on animal detectives and science. This series is a great way to teach children about animals in a fun and interesting way that captures the reader’s attention, yet fills them with knowledge about science topics they will be learning about in school. All books are great to use in a classroom setting to supplement various topics or to just enjoy. Not quite sure what a cryptogram is and want to learn more? Visit the author’s website at http://www.reneeahand.com to learn about cryptograms and how to solve the ones that are in the books.
Welcome Renee, why don’t you tell us about yourself?
First, I would like to thank you for having me on your blog. It’s greatly appreciated. I’m a multi award-winning author and requested speaker on the topic of using fun fiction to teach science, geography and history. My books can not only challenge readers and the way they think about problems in real life, but I create high interest topics that suck the reader into my stories encouraging them into wanting to know more about the settings, science, history, culture and people. Skills like reading comprehension, reasoning, deduction and observation come together in a myriad of ways.
In my Crypto-Caper Series children get to solve puzzles and cryptograms that are woven strategically inside of the story for the reader to find and solve inside of the books. Each book provides the reader with what they will need to solve the case, providing them with the knowledge and new skills that will help them succeed.
In my Joe-Joe Nut Series, I combine the love of a good mystery with science using the topics of animal tracks, rocks and minerals, as well as weathering, erosion, and art. These books can supplement a curriculum in any classroom. The books also contain extra information like experiments, terminology of the topic, charts, and much more. All books are interactive and fun.
I have also created a coloring book for children, a zoo picture book which incorporates activities to do at the zoo. I also created a storytelling card game which is getting a lot of my readers excited.
What age group do your books center on?
The Crypto-Caper Series is for 4th grade and up into middle school. The Joe-Joe Nut Series begins at 2nd grade and goes up to 5th. The coloring book and picture book are for younger children and my storytelling game is for all ages including adults.
How long have you been writing?
I have been writing for over 25 years.
What book are we going to talk about today?
We are going to focus on my new release in The Crypto-Caper Series called The Mystery of the Circus for Hire. The book is #6 in the series. I want to make sure I add that this book just won a Preferred Choice Award from Creative Child Magazine
Congratulations! Is this your first award?
No, I’ve won Preferred Choice Awards, National Best Book Awards, Seal of Excellence Awards, Best Book Awards, and won a Beach Best Book Award for all of my books. I’m very proud of my awards.
What is The Circus for Hire about?
The Circus for Hire is a whirlwind of an adventure where the Crypto-Capers travel to Russia to save Max and Mia’s parents, Mitchem and Martha Holmes, from going to prison for a crime they didn’t commit. Finding themselves caught up in a scandal that is beyond their control, they use their skills and talents to try to outsmart the most notorious criminal of all time. Lies become intermixed with truth, yet, with the help of a new ally, the Crypto-Capers find themselves ahead of the game.
I’ve incorporated a different cipher in this book so my readers are going to be thrilled. In all of my books I have added cryptograms, word scrambles, and other challenging puzzles. My readers love them and it makes this series unique.
Where can readers buy your books?
Readers can buy my books at bookstores big and small, Amazon, Barnes and Nobles, my website (www.reneeahand.com) and other places.
Are you on any social networks?
Of course. I’m on twitter and facebook as well as LinkedIN and Goodreads. I also have a blog at http://thecryptocapersseries.blogspot.com I like to help authors by having them on my radio show called Stories From Unknown Authors. My blog and website has more info about that.
Thank you so much for being on my blog. It has tuly been my pleasure.
Thank you. I appreciate the opportunity.
Writing Under Fire 