Posted in authors, books, faction, history, military, non-fiction, novels

FACT BASED FICTION “FACTION”

Per Wikipedia, The Free Encyclopedia:

Faction is a literary genre, which utilizes fictional characters, and plot lines that must remain within the constraints of current reality. The authors tend to take current and recent-past events, and postulate what is likely or very possible to happen due to these events, utilizing current technology.

In this way faction differs from fiction, which does not have constraints to stay within reality, non-fiction novels, which take actual past persons and events and fictionalize their story….

                              *                        *                        *       

 By Vince D’Angelo

My time with the U.S. Navy in the Pacific provided many interesting experiences.  Since none involved combat or other heroics, I found little reason to share them. A houseguest’s curiosity about my military service compelled me to discuss those experiences. My guest found my anecdotes intriguing and suggested I write about them. After a few hastily constructed chapters, my guest commented, while still engaging, it read too much like a documentary. To me, the events were the facts and I couldn’t change them. Or, could I?

I recalled a book discussion on television where an author said his novel was based on actual events but fictionalized.  Asked if the novel was considered fiction or non-fiction, the author answered, “Faction”.  I heard the term used again in other literary discussions.

Thus, I embarked on writing a novel based on my experiences in the navy. I completed the manuscript; the process was easy since all I needed to do was to recall events. It met with praise…from family and friends and the former houseguest.  I titled it, Tales from the Pacific.

I was inspired to continue writing. So I cannibalized one of the chapters and expanded it into a novella titled, No-Name Island.

I decided to write another novel, this one based on my shore leave in Hong Kong, China; a British Crown Colony at the time. I was very much taken with the exotic Far East city.  It was the most memorable experience of my naval career and the inspiration for the new novel, Out of Hong Kong.

*                          *                          *      

BOOK COVER Vince De'Angleo

No-Name Island: Post World War II, a six-man navy detachment is sent on a highly classified mission to map a remote, uninhabited tropical island. Instead, they find a leper colony manned by a mysterious medical staff. Also, a hidden encampment of men and women survivors of an accidentally sunk Japanese hospital ship, who are not aware the war is over. Unlikely scenarios for romance? Not quite.

Out of Hong Kong Vince D'Angelo

Out of Hong Kong: A young navy officer on shore leave in Hong Kong unintentionally finds himself in a brothel. The girl assigned to him is a ‘first time’ teenaged virgin desperately attempting to earn quick money to free her parents enslaved by mainland communists. His attempt to save her from becoming a prostitute puts both their lives in danger. They fall in love but are forcibly separated. He goes back to his ship not knowing what has happened to her. He returns to Hong Kong numerous times over the years, attempting to find her.

Thanks to Vince D’Angleo for his input on writing “Faction.”

Authors: Do you write faction? How do you market it?  What have been your experiences.

Readers: Do you like reading faction – fact based novels? Why or why not?

We’d love to hear from you. Please leave a comment.

Posted in authors, books, history, novels, suspense, thriller, writers

Robert Dean Bair gives life to history lessons

RobertDeanBair-a(2)

I am so excited to have Bob on my interview today. I have had the privilege to getting to know him over the past couple of years through our local witer’s group. Bob is one of the sweetest and funniest people I have ever met.  AND he is a fabulous author.  Tell them Bob, why did you start writing?

About ten years ago I realized that there were events in my life that my children and grandchildren would never read in a history book.

I started making a list, with the first event that had been responsible for many more events and direction in my life.

It was New Year’s Eve, December 31, 1947. I was a Military Policeman with the First Army stationed at Fort Jay on Governor’s Island in New York Harbor. I was on guard duty at the airstrip in a blinding snow storm. There was an event that President Harry Truman heard about it. This was the first of many events.

You certainly have a lot of stories to tell. -Did you have writing experience in your life?

Not really. I wrote reports when I was an insurance investigator and when I was a management consultant with M.K. Sheppard and Associates, a management consulting firm in Cleveland, Ohio.

How did you get published?

I was attending a Naples Press Club two day event that featured publishers, editors and agents. On the first day I met an agent from East Florida. I had completed my manuscript and planned to have a couple dozen copies printed at Quick Copy for my family. After talking with her for a while she suggested that I send her three chapters. I was delighted.

On the second day she had more question about my book and at the end of the day she suggested I send her all of the manuscript. The next day I overnighted the manuscript to her.

Three weeks later she called and said she would like to represent me. We signed an agreement within ten days.

Three months later she had a contract for two books if I would change the voice from third person to first. I had written the story as if I was reading it to the children.

I completed the change in three months and had a contract for two books with AecheBooks a traditional publisher. In October 2006 The Cloisters of Canterbury was published by ArcheBooks.

Cloisters of Canterbury by Robert Bair

That is a dream come true for most of us authors that wait years and years to find an agent. You made it sound too easy.  I know that is not the end of the story. Please continue.

You are correct Joanne.  Two years later when my second book was ready to be submit the book business was in a slump and based on the firms production schedule it could be four or five years before my book would be published.

My second book Peace at Lambeth Bridge was published by iUniverse, in November 2008.

Peace on Lambeth Bridge Robert Bair book

In 2013, Peace at Lambeth Bridge, Second Edition was published by Create Space.

Dead Man Talking was  published by Create Space March 2014.

Dead Man Talking

How do you compare Traditional Publishing with self-publishing through Create Space?

I had very little to say with ArcheBooks and received very little marketing support.

Create Space gives the author the opportunity to change prices and market.

I think price sells books. But you need a good cover and a good story.

There are no free lunches.

That is for sure, Bob.  Can you tell us the premise of  Dead Man Talking?

Just before his death on a sandy beach in Anguilla, British West Indies, David Lee Casady, a former CIA operative reveals the true story of the overthrow of Juan Bosch Dictator of the Dominican Republic. Casady held a gun to his head, a Bloodless Coup.

Thank you so much for being on my blog. Below are the links to buy Bob’s books.

Buy Links – Amazon:  http://www.amazon.com/s/ref=dp_byline_sr_book_1?ie=UTF8&field-author=Robert+Dean+Bair&search-alias=books&text=Robert+Dean+Bair&sort=relevancerank

Create Space – http://www.createspace.com/4631602

Posted in authors, books, editing, education, favorite books, fiction, history, literary fiction, memoir, non-fiction, novels, political injustice, readers, spiritual, spiritual, womens fiction, writers, writing

Janet Levine bring us Leela’s Gift

Janet Levine
Janet Levine

Today’s author, Janet Levine was born and raised in South Africa.  Multi-published, from her political memoir, Inside Apartheid to her women’s fiction novel, Leela’s Gift, she is a superb writer with a superb grasp of the art of story-telling.  Welcome Janet. When did you first know you wanted to be a writer and was there a particular inspiration to get started?

There was never a time I did not want to be a writer. I still have my five-year old scribbles. Vividly I remember the first book I read on my own. It was about a visit to the circus and described the dawn colors and the day’s events. I was enchanted, exhilarated at the world evoked on the pages and I told my mother I was going to do that, write a story. So I did, and I’ve never stopped.

How long did it take you to publish your fist manuscript?

At fourteen, a short story I wrote was read on the national radio in South Africa, and was a finalist for the best teenage writer prize that year. What a thrill. Since the age of eighteen I became a published freelance journalist in the national press in South Africa in those “liberal” newspapers that were against the apartheid regime. I have continued to write articles all my life. I now blog and write book reviews. I also wrote novels from about the age of twelve but none of them were publishable. Because of my involvement in the anti-apartheid struggle I did not have time to polish and revise. My political memoir Inside Apartheid was my first book length manuscript to be published. I started it in 1985 shortly after we immigrated to the USA. My then husband is American and we arrived to live in the Boston area with our two sons. I craved peaceful time to write after the drama of South African politics and wrote the book to establish that a number of white activists were part of the human rights struggle, too. Americans seemed to think that all whites supported apartheid. Because of my reputation in political activities and journalism, I was invited to be on the MacNeill/Lehrer News Hour commenting on the situation in South Africa, and interviewed by Judy Woodruff. A few days later PBS forwarded me a letter from a New York agent who asked if I was thinking of writing a book. I told him I was already working on one. Several months later we had a contract with a large Chicago publishing house.

Many of us cross over genres and it is difficult to pinpoint one to fit our books. What shelves would we find your books in a bricks and mortar bookstore?

I’m a cross over writer; I’ve published a political memoir, two psychology books, and a novel. The book we are promoting today is a novel and we would find it under fiction, women writers, and spirituality.

Do you always write in the same POV or narrative or do you switch it up in different stories?

POV is one of the most challenging decisions for a fiction writer. My voice is decidedly first person. In the novel I am working on now I have two first person narrators; I enjoy making readers “work” a little at figuring out what is the structure. This is highly experimental and unconventional and I still need to work on smoothing the transitions between the voices. In a recently published, magnificent novel The Goldfinch by Donna Tartt (recently won the Pulitzer Prize for literature 2014) the author mastered the first person POV to perfection. A pre-pub novel (by a well-known author) I am reading now for review has two, third person (omniscient) narrators, and he works the transitions between their POVs superbly.

What was the hardest part for you in the writing process; the outline, synopsis, query or building the story itself?

Currently the hardest part of the writing process (for me) is deciding to go the traditional route of seeking an agent, or trying to find an indie publisher, or to self-publish. What I have learned is that however long your work takes to write and revise, it is pristinely your baby, until you hire an editor to bring that professional polish. But the aggravation of the editing process and all those revisions is nothing compared to the resilience and patience (and time and/or money) you need to publish your book. You have to absolutely believe you have something to say that other people want to read or don’t even begin the publishing journey. It is a tough world out there.

Tell us about one of your books in 3 sentences

In Leela’s Gift the protagonist, a New Yorker, undertakes an enriching spiritual journey in the mountains near Darjeeling, India. The novel uncovers highly relevant spiritual teachings for our modern world. In captivating prose the novel intertwines modern philosophy and ancient wisdom in telling a story as old as the human heart.

Complete this sentence……. My favorite place to write is in almost total silence in a room surrounded by my favorite books and pictures and with a window that looks out on a garden or some greenery.

How about this one. …. A book about writing I love is Eudora Welty’s One Writer’s Beginnings.

Where can readers buy your books?

My website is  www.janetlevine.com. All four books are linked to Amazon from my website and readers can follow me on twitter @jlevinegrp

Thank you Janet.  I know we will have you back to tell us more about Inside Apartheid.  Can you share a few paragraphs from the book we are promoting today, Leela’s Gift?  

“There was no mistaking Maharishi, standing amidst a group of solemn looking men all dressed in white. Pausing with one hand on the gate, Maharishi looked searchingly at me, drawing my attention back to him. He wore a long, immaculate white kurta, a collarless Indian shirt, over wide white trousers. Open sandals adorned his thin feet. In his other hand the beads of his mala slid effortlessly and deliberately through his slender, elegant fingers. His gaze seemed to penetrate my being and warmed to life many layers of my inner self that until that moment lay dormant; quickly I lowered my eyes, the force of his energy overwhelming. In his presence I struggled for breath.

His dark, deep-set eyes were softly luminous, and they smiled as he opened the gate. At the abrupt loss of his presence I felt cold, as I were in the Atlantic Ocean in winter. His presence radiated such heat and desire than when he left I was bereft. Considering this state along with my urge moments earlier to sink to my knees and prostrate myself at his feet, there was every reason to ask with rising hysteria; what was happening to me? After five minutes at the ashram my inner being swirled in choppy eddies. Maybe I should return to the taxi and drive back to Bagdora airport. The familiar known world tugged at me—standing at the threshold to this world seemed perilous, too risky.”

 

Posted in authors, books, characters, Florida, history, Indie, readers, writers, writing

T.M. Jacobs presents SW Florida History

T.M. Jacobs
T.M. Jacobs
Welcome, T.M. Jacobs to Author Interview Friday. Tim is on the Corporate Board of Directors for the Gulf Coast Writer’s Association and Owner/President of Jacobs Writing Consultants in Fort Myers, Florida.  He is also Advisor to the Board of Directors for Southwest FL Historical Society. It is my honor to have him with us today.
Tim, when did you first know you wanted to be a writer and was there a particular inspiration to get started?
For me it was the sound of the typewriter. My mother used to do some typing at home for work, and I fell in love with the “click-clack” of each letter as she typed. I was probably around 5 or 6 years old at the time.
Do you always write in the same genre?
No, I don’t. I write a little bit of fiction, I have written poetry, but I love to write non fiction, especially local history. I believe that writing in different genres helps the creative part of mind to always be going, always searching for ideas, twists, plots, etc.
For the book we are promoting today, what shelf would we find it on if it were in a bricks and mortar bookstore?
It would be in the local Florida section, as it covers Harvie Heitmanof Fort Myers, as well as other events and histories of that area.
Why did you choose to go the self-publishing Indie route in lieu of traditional publication?
I wanted to have more control in the overall process of the my book. I also wanted to learn as much about the industry that I could. Prior to publishing my first book in 1996, I took a job at a publishing company was able to learn all the ins and outs of the business before venturing out on my own.
What was the hardest part for you in the writing process; the outline, synopsis, query or building the story itself?
I’ve seldom used an outline for my writing. I think both the synopsis and query are a challenge. It’s hard to focus your novel or book down to a mere page or two, but that’s how you make the sale to an agent or publisher. As far as the building the story, I’ve always felt that the stories build themselves. In fiction it’s the character that tell the story, you just write it down. With non fiction, let the facts tell the story.
It is not enough to write a book and wait for the money to start rolling in. What marketing techniques do you implement to increase your sales?
You need to constantly put yourself out there, or your book out there. Constantly repost to Facebook, send out emails, mention your book to organizations that you belong to you, write articles for newspapers and magazines and put in your byline your book title and where it’s available. Think outside the box. Set up tables at craft fairs and other events. Do book signings and lectures, lunches, etc.  
What advise would you give to new writers just getting started with their first manuscript?
Don’t give up. Keep writing. Don’t be afraid to ask for help, join a writing group or form one of your own – they’re so valuable. It’s where you find support because everyone there knows what it’s like to be a writer. They understand the struggles you will encounter and will be your loudest cheerleaders when you reach a success.
What is the premise of your novel we are promoting today?
Tim Jacobs book cover
“H. E. Hiemtan, An Early Entrepreneur of Fort Myers, Florida” is the biography of Harvie Heitman, the man who practically built First Street in downtown Fort Myers. It’s also the history of the businesses that flourished downtown from the 1880s to the 1920s.
Where is your book available?
It’s available at Savvy on First in downtown Fort Myers,  Bombay Liquor/Book Den on Marco Island, the Southwest Florida Historical Society, the Southwest Florida Museum of History, or by emailing me attjacobs@jacobswc.com.
How did your consultant business come about?
With the advent of Kindle, Nook and e-readers, it has become easy for anyone to upload their novel or book, and become a “published author.” I was amazed when I began to download books and read them, only to find there was little to no editing done. It’s like the author thought he or she wrote it without error and quickly posted it for the public to buy and read. In some cases the story was fantastic, but difficult to read as you had to think or (in your mind) put in a comma, figure out where the missing quotation mark goes, or who’s speaking in a dialogue. So, I got together with a few editors, and put together Jacobs Writing Consultants to assist writers. Our tagline is “We ignite your writing – one page at a time.”
How can a writer contact Jacobs Writing Consultants?
The best way is through our website – http://www.jacobswc.com./ One thing we tell potential clients: “We’re so confident you will love our work, we’ll do the first four pages free and you’ll decide to say, ‘yes. . .finish it!'” Send us four double-spaced pages of your current project, and we’ll edit them and show you what we can do to enhance your writing.
What’s the most challenging aspect of being a consultant?
It’s difficult at times to get clients to see and understand that their writing or their story needs work. They believe because a co-worker or their best friend read their manuscript and loved it, that it’s good. True, the story may be good, but the nuts and bolts of it need to be tightened and adjusted. Sometimes the writer is too attached to their work, and it’s hard to get them to step back, let go and to take an alternate view of their book or main character.
Thank you Tim, for being on Author Interview Friday at Writing Under fire today. You can find out more about Tim, his writing and his consulting firm on his website:  www.jacobswc.com.
Posted in authors, characters, fiction, friends, history, mystery, non-fiction, novels, readers, writers

Welcome back, author Dan Goldstein to Writing Under Fire

Please help me welcome back, Dan Goldstein, to my weekly Author Interview of the Week. He was a guest on one of my very first posts, as an a good friend and author, I am pleased to have him back. Dan is has written several Indie novels and some children’s stories. His latest book, Wild Bill Hickok, is the true adventure of the famous wild west icon’s last few weeks of his life as portrayed in a journal of his sidekick, Nathan Bernard and passed down to his son, grandson and then to Goldstein.

Joanne:  Do you have a background in writing?

Dan: Not really. Up north before coming to Florida I started writing children stories. When I arrived in Naples I joined an evening class and shortly after, my teacher took me aside and told me she liked the way I did my dialogue and that I should try a novel. I thought she was crazy. Me? Write a novel? But I started one and found that I picked the right topic and the words just flowed out of me. It was an adventure story and now it’s in print and also e-books.

Joanne: Do you always write in the same genre?

Dan: Mostly. I have some great children stories but I prefer to write adventure stories.

Joanne: Why did you choose to go the self-publishing route instead of traditional publishing?

Dan: Now-a-day, I believe that if you’re not a big name writer or you know somebody who knows somebody, or you are extremely lucky, it is rare an agent will touch you. I have also discovered that most publishers won’t touch you without an agent. It feels like a catch-22 situation. I believe that the big publishers are losing out by not representing more local writers.

Joanne: Do I always write in the same POV?

Dan: I tried writing in first person and found it much too difficult. I switched to third person and that was much easier reading and writing.

Joanne: What was the hardest part for you in the writing process; the outline, synopsis or the story itself?

Dan: I find the synopsis the hardest in writing. I tend to get inside the story too much and the synopsis gets too lengthy.

Joanne: Are you a pantser or a planner?

Dan: Not knowing exactly what a pantser is, I assume it is somebody that writes by the seat of his/her pants, while a planner has a good idea what the story is about and plans each step. Actually, I write quite different from most. I start with a title and start the story never knowing what the story is about until I get into it. I also usually put myself into the story and respond as I would to whatever event I’m writing about. I never write an outline or plan any events until they actually arise. I have written six novels this way, and what I have found as my only problem is my English knowledge and building sentences in the correct English. I write as I have learned to speak, mostly while in the streets of Boston. Since writing novels I have found myself correcting other writers in their spelling and use of words. Many times while reading some ‘big named’ writers like Stuart Woods I have said to myself, “this sounds like me writing”.

Amazon link to Hickok novel

Thank you Dan, for taking the time to be my guest on Writing Under Fire.

Goldstein is the author of Wild Bill Hickok – The True Story about his last six weeksBoston / Moscow Connection and Destination: Croatia

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Posted in books, education, family, Florida, history, Indie, non-fiction, remember, writers

Local SW Historian brings Florida history to life

I am so pleased to have  Elizabeth “Betsy” Perdichizzi with us today on Author Interview Friday. I first read her book, A Girl Called Tommie when I moved here in 2008. Betsy made Tommie jump off the page and come alive for me. I could see her forging creeks and plodding through swamp land to bring civilization to Marco Island.  Like Betsy, when I moved here, I was craving the history of the island.  It was the best book  I had ever read on the local history of the area.  It is such a joy to say that Betsy and I are now friends and share the joy of writing together.

Betsy Perdichizzi

Betsy, please tell the readers when you first knew that you wanted to be a writer and if there was a particular inspiration to get started?

Our move to Marco Island in 1989 sparked my interest in learning about my new Florida home.  There were no books in the bookstore, only one or two in the library to read about the history of the island.  Most newcomers like myself came just for fishing, boating and leisure.  Doug Waitley, author of the Last Paradise, spoke at a luncheon that I attended. He said that he too had come to the island wanting to read about the history, then decided he had to write it.  He wrote about the Deltona development which we call modern Marco. In my mind, his words helped spark establishment of the Marco Island Historical Society in 1994 the need to capture oral histories of pioneers and their descendents.  I sensed time was running out. Those Old Timers and their descendents were dying off or drifting away. I met Kappy Kirk, Tommie Barfield’s 80 year old niece and legal ward, who introduced me to her friends.  That was a real break through, I wanted to  interview them all and write their stories.  So I became an actress telling the story of Tommie Barfield and her friends, then I became an author, writing about these people and how three communities developed.   I eventually found myself chairing the Capital Campaign to raise $4.5 million dollars to build the Marco Island Historical Museum to tell the story of the Calusa, the Pioneers and the 1960 Deltona history that led to modern Marco Island.

Do you have a background in writing or take any special writing courses that helped you along the way?

I learned the rudimentaries of writing for newspapers in a high school journalism class, but my real training was on the job experience writing as a freelance columnist, writing for the historical society newspaper then spent ten years writing a  newspaper history column “Days Gone By’ in the Suntimes, for which I won the Golden Quill Award.

How long did it take you to publish your first manuscript?

I would say two years. My book was a one-woman play before it was a book. In 1998, I collected information about Tommie Barfield with the Kappy’s help and we formed a company to publish the book “A Girl Called Tommie, Queen of Marco Island” in 1999.

Do you always write in the same genre?

You’ve heard the old saying “truth is stranger than fiction” is true.  I am fascinated by the stories of pioneers and try to make them come alive for people, using their own words where possible. The SW Florida region is captivating, with new information about the past turning up everywhere, all the time. I can’t make it up any better than this, it is more interesting to me fiction.

Many of us cross over genres and it is difficult to pinpoint one to fit our books. For the book we are promoting today, what shelf would we find it on if it were in a bricks and mortar bookstore?

Florida non-fiction.  For the past six years I have been on a journey with the Olds family, discovering what it was like down here one hundred years ago.  When I was writing “A Girl Called Tommie, Queen of Marco Island” Kappy took me to Miami Beach to meet Tommies’ little sister Hazel.  Walking into Aunt Hazel’s house with pictures of her mother, sisters, the boarding house, made it all come alive for me, I hope I passed it on..

One of my readers, Dr. Robin Brown, a noted author in Fort Myers, wrote, “I just finished reading A Girl Named Tommie. What a very fine piece of work! I am helping write a summary of material pertinent to the presentation of Marco’s history for your new museum and I learned more about Marco during the century from 1850 to 1950 from your book, than from any other source. It needed to be written. And writing readable non-fiction is not easy. Your combination of dry historical fact with poignant human detail is well crafted

Why did you choose to go the self-publishing Indie route in lieu of traditional publication?  What were the deciding factors to choosing your publisher? Would you recommend that same Indie publisher to a colleague?

Desk-top publishing or Indi-publishing as it is now called, blossomed with advent of the computer offering writers an economical way to publish their work  and become authors of published books.  I loved the writing part of it. Marketing the book and making it profitable thus rests directly on the author and if I do a little bit each day, even that part is getting interesting.

What does finding your “Voice” mean to you and how did you find yours?

Documenting the history of real people and telling their life-stories is of great interest to me. In the non-fiction books my Voice is just the narrator giving some necessary background information.  In the early book I was a character in order to tell the story. 

Do you follow a structure pattern such as staying in chronological order, or alternating points in time or different POV’s? (point of view)

I read contemporary and classic authors and find myself studying how other authors express themselves, handle delicate subject matter, or admire a well-turned a phrase.  Writing for a newspaper helped me write clearly and cleanly, eliminating unnecessary words or flights of phrases. I like beginning at the beginning, but am not adverse to back flashes that explain a point in the story. 

What was the hardest part for you in the writing process; the outline, synopsis, query or building the story itself?

In writing about real people it is sometimes easier to find the beginning and the middle than it is to find the end or conclude the story.  In the “Tommie” book I I searched for a good ending, with what I thought was her vision of the future.  Readers always want to know what happened to your main character and I handled that  in a postscript, just as in a performance, you conclude the presentation in first person, getting out of character in the end to answer questions from the audience. 

Into the Wilderness offered my biggest challenge because I felt that Mary commanded the heart of the story with her very personal and revealing letters.  Mary’s daughter Saloma picked up the legacy with a beautiful letter that made it come full circle.

What marketing techniques do you implement to increase your sales?

One of the lecturers the 2013 Florida Heritage Book Festival remarked that if you do a little marketing everyday, it isn’t so overwhelming.

I found that I had made a good start, was doing some things right, 1. Establish my publishing business with Florida Sales Tax and ID tax number using an on line accounting program such as Quickbooks. 2. Establish website. 3. Contact Barnes & Noble or Amazon.  I acquired a Vendor of Record for companies who do not deal directly with authors or Indiepubs. 4. Actively working to market my books at least 30 minutes every day. 5. Enable myself to take cash, check and credit cards. I acquired a smart phone and Square reader for credit cards. Obtained credit card slips for back up when there is no WIFI or internet. 6. Obtain a banner, posters, and provide a table set up at book fairs that will attract people to my table.

I need to do more on social media, I don’t think it will ever end.

What advise would you give to new writers just getting started with their first manuscript? 

It you have the passion, don’t worry too much about details down the road…write it and it will come.

How does this book relate to the issues of today?

Some of the political issues touched upon one hundred years ago are still with us.  It is sometimes good to look over your shoulder and see how far we have come, and see what we can learn from the past. The pioneer had to be hardy, independent, self sufficient, and make do or do without.  You have to ask yourself, when disaster strikes are we prepared to meet and overcome the challenges as they did?

What is the premise of your novel, Into the Florida Wilderness,  we are promoting today?

Into the Florida Wilderness

Into the Florida Wilderness, Pioneer Life and medicine is based on fascinating first-hand accounts of life on the edge of civilization before Florida became a tourist and snowbird haven. The story is told in first person through the lively written diaries, photographs, and letters of three growing daughters of homeopathic doctors Mary and Louis Olds who lived on Marco Island from 1903 to 1920.  Dr. Mary and her family dropped out of Society and wrote about it, just as Al Seely, the hermit, would do 150 years later.  Mary followed her husband, the love of her life, with three little girls into the unknown backward civilization of primitive Florida. How do you survive in a place without roads, electricity, sewage, running water, hospitals, churches, or grocery stores. How do you preserve food without refrigeration? Wealthy and socially prominent northerners were attracted to their modest two-story home on the Marco River, becoming friends and sharing beach picnics and family suppers.  The girls took pictures with their camera and developed the film themselves…when they had ice! Names like Pinchot, Hornaday, Fielding, Dimock and Halderman float through the narratives like next-door neighbors.

 Dr. Mary’s challenge was to create a cultured home, and educate her daughters.

Betsy, I know the readers would love a little sample of your story.  Can you share a few paragraphs from your book to wet our appetite?

Mary writes to her Smith college classmates of 1884. (word count 831)

Marco Island, FL.

Oct. 25th, 1911

Dear Eight-Four: –

What a pleasure it is to hear from you once more! And what interesting letters you do write! It is a great delight to all our family to hear from you – and quite an education to our three country girls to touch so many phases of life through your rich and varied experiences.

Since I wrote you at Reunion in June 1910, the chief event in our history has been the great hurricane of Oct. 17, 1910 and its consequences.  During the whole summer following that June the country here seemed unusually prosperous: crops were most promising, both fruit and vegetables, for the fall and winter; and the tropical fruits of the summer were luxuriant in quantity and variety. We feasted on mangoes, guavas, sapodillas, sugar apples, avocados, etc. and then often felt little need of anything else except a little bread and butter.  Dr. Olds was greatly interested in propagating the finer varieties of mangoes, and had a beautiful nursery of young trees, and some fine specimens beginning to fruit, among them a fine Mulgoba, which proved to be as perfect and wondrous a fruit as it is claimed to be.  For the first time since we came to Florida, Dr. Olds began to feel that reasonably financial comfort was in sight. ‘But alas! Though we did not see winter as an enemy…“rough weather” did come- rougher than we had ever known.

We have often been on the edge of the great storms that have devastated Pensacola, Key West, Cuba, and other places within the sphere of influence of the Caribbean seas: but had always been fortunate in escaping with a gale tide, a high wind, and a day or two of hard rain but last year we were at the very center of the storm’s mischief. Five days it rained and blew-and when finally it seemed that the storm must be over, the very worst of it came on.  The rain did not fall down, it came horizontally, dashing at the house and forcing its way in at every horizontal crack.  Great sheets of salt water were swept up by the wind from the bay and dashed over the house. All day long we worked like Trojans, mopping up the water and trying to save our possessions from ruin. At dusk, the trees began to crash and break, and the rain poured in through the shattered roof in hopeless floods-.  Buckets did not avail to catch it- and it poured down through the second story floor to the ground floor where Dr. Olds bore holes for it to escape. It seemed every moment as if the whole roof must crash in, and we did not dare stay up stairs. Finding one dry corner we dumped the children there to try to sleep-but they could not, exhausted though they were by the day’s labors. Finally they arose, and tried to relieve the strain by playing Parcheesi! Dr. Olds and I were meanwhile going through some of the most anxious hours we had ever known. The tide the day before had gone lower than we had ever seen it before, almost baring the bottom of the bay, and Dr. Olds had known that this presaged an extraordinarily high tide on the return flood, and had felt all the time that we ought to escape to higher ground, than our own place afforded. But the wind was so terrific that none of our little boats could live in the angry waters as they rolled back.  Dr. Olds himself could not stand against the wind, and with trees crashing and timbers whirling through the air it seemed sure death to venture out of the house at all. By midnight our dock was swept away, the launch unroofed and sunk, the skiffs disappeared, palmetto trees torn up by the roots, the large sea grape tree in front of the house (the larger of the two trees in the photo) torn limb from limb until little more than a stump remained. No words can describe the force of those frightful gusts of wind as they beat against the poor little house – like a giant fish beating on a band box, like blows from a colossal club, each one harder than the last, getting worse, worse, incredibly worse, the house trembling and shaking, (flapping its wings: the children said), the kitchen roof rising and falling a foot or more with every gust, and each time it fell the stove pipe knocked against the stove with the weirdest sound!  Meanwhile the tide was rising a foot every five minutes, and we could see the water approaching the house.  The wind changed, and the chances were that storm and waves and wind would knock the house “all to smithereens,” as Dr. Olds said.

Go we must, but how?

Thanks Betsy. Readers, if you are interested in SW Florida history, you will love her books. Betsy’s website is www.CaxambasPublishing.com where you can see all of her books.