Posted in disabilities, education, elder care, exercises, Florida, help, meditation, pain, pain relief, peaceful, purpose, relax, service, yoga

YOGA INSTRUCTOR JEAN ERLBAUM WROTE SIT WITH LESS PAIN

Jeanie and Stella Wisdom
Jeanie and Stella Wisdom

Jean Erlbaum, M.S., E.R.Y.T., L.V.C.Y.T, author, has been studying yoga and meditation since 1965 and has been teaching since 1972. An Experienced Registered 500-Hour Yoga Teacher, she is certified as a teacher of several styles of yoga, meditation, and stress reduction. She has studied Zen for over thirty years and in 2012 was designated as a senior Dharma teacher by Boundless Way Zen (Worcester, Massachusetts). She offers classes in Greenfield, MA, and Naples, FL, where she lives with her husband Richard Rumelt and their two dachshunds, Stella and Oscar. Richard and Jean have two daughters, Anna and Libby, who live in New York City.

Jeanie is a friend and colleague of mine through Marco Island Writers. I know you will want to know all about her new release, Sit With Less Pain.

Jeanie, when and why did you first become a writer?

I have been writing since my chubby little hand could form letters. Growing up I was not given a lot of space for expression. I think for me writing was a survival technique, a way of staying true to myself. Even when I was very young, I wrote essays and stories. I rarely showed my work to anyone. I wrote for myself and I wrote every day. As I got older I did begin to share my writing with friends and teachers. I began to feel confident about my ability to put words on paper, but I never considered myself a “writer” and never thought about being published. To me a “real writer” was someone who did creative writing – fiction or poetry. As an adult I have almost always written opinion pieces or instructional essays. Now that I have a book published, maybe I can begin to consider myself a writer. I have been encouraged to be more receptive to that designation by my wonderful Marco Island Writers Group!

What  is your book about?

Here’s the synopsis for  Sit With Less Pain:

Relieve and release the stiffness that comes from prolonged sitting—at a desk, behind the wheel, or on a meditation cushion—with these easy-to-follow exercises. Free yourself from pain with this beautifully illustrated guide. The book is organized anatomically, helping readers to immediately focus on the part of the body that causes them pain: tense shoulders, stiff knees, sore hips, etc. Sit with Less Pain also includes instructions for flowing series of movements, which combine several exercises into smooth sequences, for readers who have mastered the individual stretches and want a more complete experience. Gorgeous, clear illustrations and lay-flat binding—which lets the book stay open at the proper page—will help readers perfect the poses. Companion CD’s are available with  the author’s soothing voice guiding you through the sequences offered in the book. You can chose tracks and design your own unique stretching sessions focusing on the parts of your body that need special attention.

Sit With Less Pain by Jean Erlbaum

Few of us at Marco Island Writer’s are traditionally published? How did you find your publisher?

I have been teaching yoga for many years. One of my specialties is teaching yoga to people on meditation retreats. People who sit for long periods in meditation get achy in very specific ways. I designed classes that addressed those specific problems. One of the people who attended one of those retreats turned out to be an editor for Wisdom Publications, a Buddhist publishing house. He liked my classes and asked if I would consider writing a book to share the techniques I had developed. (He had no idea that I loved writing – he just knew he liked my yoga!) Even though I had never considered writing a book before, I immediately said yes. I liked the challenge of such a focused commitment and I welcomed the opportunity to empty my brain of 40 plus years of yoga information. (As I was writing the book, I often did have the sense of just tilting my head and pouring all these theories and techniques into the computer in front of me. And it was a relief to empty out in that way, to pass it all on.)

What do you hope readers will receive from your book?

As I was writing the book, I began to imagine that it could be beneficial anyone who sat for a long time – not just meditators. It could be helpful to people who sit in an office all day or behind the wheel of a car or truck; I realized that the techniques I designed could easily be adapted for folks in wheelchairs. As I started telling my yoga students and local health providers about the book I was writing, many people requested copies and told me how helpful they thought the stretches would be for them and for the people they worked with. After a while, I sensed that these people were not just being polite. I began to understand that techniques I was relaying in the book could be helpful in alleviate pain for many, many people. Along with the physical stretches, I added an element of meditative awareness to the exercises, so a wider audience could benefit from the centering and calming aspects of yoga. I decided also to create companion CDs for the book, so readers, once they have seen the instructions and illustrations in the book, can be led effortlessly through the stretches. My hope is that readers will enjoy doing the stretches and gain mental and physical ease in their daily activities.

Where can reader buy your book?

Jean’s website: http: www.sitwithlesspain.com  (This is the only place currently that you can get the companion CDs.)

Amazonhttp://www.amazon.com/Sit-With-Less-Pain-Meditators/dp/0861716795/ref=tmm_pap_title_0?ie=UTF8&qid=1396274570&sr=1-1

Barnes&Noble : http://www.barnesandnoble.com/w/sit-with-less-pain-jean-erlbaum/1117543237?ean=9780861716791

Wisdom Publicationshttp://www.wisdompubs.org/book/sit-less-pain

Powell’s: http://www.powells.com/biblio/62-9780861716791-0

IndieBoundhttp://www.indiebound.org/book/9780861716791

iTuneshttps://itunes.apple.com/us/book/sit-with-less-pain/id789539748?mt=11

Companion CDs for the book are available: $25 for a set of two chair yoga cds, $25 for a set of mat yoga cds, $45 for all cds. Contact jean.erlbaum@verizon.net, www.sitwithlesspain.com for ordering and more info.

 

Here is an excerpt from the Introduction to the book:

 Yoga can bring us into the authentic embodiment of each moment. When we pay full attention during a forward bend, we can drop all memories of how our back has been, judgment of how it should be, worries about how it may get worse, or fantasies of how to make it better. All there is in that moment is the stretch, the breath, and any physical changes or insights as they occur. Yoga used this way is not separate from meditation practice—it becomes the practice. By fully sinking into the specific sensations of each pose, we create the possibility of relinquishing the usual busyness of mind and expanding beyond the usual constrictions of the body, beyond the boundary of “this self.”

We can create regular yoga sessions for ourselves and take the visceral awareness this practice promotes into our every day lives. We can cultivate a larger yoga: an ability to align with our body while sitting, walking, washing the dishes, or climbing into bed at night. We can cultivate mindfulness of what changes with each movement and of the stillness that remains even as we move through our days.

Yoga can help us go beyond watching the movements of body and mind; it allows us to become “bodymind,” to embody this one thing we always are. My hope is that these stretches help you as much as they have helped me, so that we all can sit deeply and live with grace and flexibility in all circumstances.

Thank you Jeanie. This has been so much fun. As you know, my daughter is the owner of three yoga studios in Miami and has a nationwide non-profit organization that teaches yoga as an alternative to violence to at risk youth.  You handle the other end of the spectrum – the older generation and the less nimble.  Thanks so much for sharing with us today on Author Interview Friday at Writing Under Fire. Best of luck with your book launch.

Posted in authors, books, disabilities, elder care, family, Indie, love, parents, purpose, readers, remember, schools, senior care, support, writers, writing

5 time author Pauline Hayton never intended to be a writer

Pauline Hayton

Pauline Hayton was born in 1946 in the north east of England and worked as a probation officer in her hometown of Middlesbrough before emigrating to the United States in 1991. She and her husband currently live in Naples, Florida with four abandoned cats who adopted them.

She started writing in 1996, after listening to her father’s war stories and reading his wartime diaries. She found them so interesting, she felt compelled to write her first book, A Corporal’s War.

Researching for this book, she discovered the true WWII story of a remarkable woman, Ursula Graham Bower and wrote Naga Queen. While researching Naga Queen she became friends with Ursula’s daughter through whom Hayton became involved in bettering the lives of the Naga tribes in north east India. This also led to a new book,Chasing Brenda, a lighthearted adventure in Nagaland, written after the author visited Magulong village where she and her husband support a school.

Myanmar:In my Father’s Footsteps. A Journey of Rebirth and Remembrance is a travelog of a trip taken in 2006. After recovering from two battles with cancer, Hayton wanted to do something to make her feel alive and decided to visit the places where her father fought the Japanese in Burma during WWII. It was a healing, life-changing journey for her.

Her latest book, If You Love Me, Kill Me,  is based on the author’s painful, personal experiences while caring for her elderly parents.

If you Love Me, Kill Me

You can purchase her books by going to her Amazon Author page  http://www.amazon.com/Pauline-Hayton/e/B003YGSLJY/ref=ntt_athr_dp_pel_pop_1

Naga Queen by Pauline HaytonChasing BrendaA Corporal's WarIn my Fathers Footsteps

Joanne:  Pauline, it is a pleasure to have you on Author Interview Friday.  You say you never intended to be a writer, yet you have five books published. How did that happen?

Pauline: Thanks for having me, Joanne.  It’s true. I still don’t enjoy being a writer; it’s such hard, lonely work, but the stories keep coming into my head, and I need to share them for other to enjoy them. I started writing when my dad began to tell me his WWII stories. I was 55 at the time and was living in Florida after emigrating from England.  I thought them so interesting that I wanted to write them down for my grandchildren to read. They had only ever known their grandfather as a doddery old man. By reading his stories, they would discover that in his younger days he was a dynamic leader and a brave hero. His memory was detailed and incredibly accurate when he was telling me of his experiences at Dunkirk. Then he brought out the tattered diary he wrote when he was sent to India, and I discovered there were detailed records available at the Public Records Office in London and at the Imperial War Museum in London that I used to describe the bigger picture in which my dad’s personal story was taking place. The project blossomed into a book.

Joanne:   Do you have a background in writing or take any special writing courses that helped you along the way?

Pauline:   I took a Writer’s Digest novel writing course which helped a lot and read books on writing. Before that, the only writing I had done was as a probation officer when I wrote reports about defendants for the courts.

Joanne:  How long did it take you to publish your fist manuscript?

Pauline:  It took three years. After almost 40 rejections, I self-published. My dad was growing old and before he died, I wanted him to hold his book in his hands.  

Joanne: Do you always write in the same genre?

Pauline:  No. When I was researching for “A Corporal’s War”, I came across another amazing WWII story of a young British woman who was living with the Naga tribes of NE India, doing anthropological work. She was recruited by a clandestine unit of the British Army, V Force, to spy on the Japanese who were expected to invade India. She received a medal for her activities. I knew immediately that her story would be my second book, which I called Naga Queen.  Writing this book changed my life.

Joanne:  Naga Queen changed your life? How so?

Pauline:  I became friends with Trina, the Naga Queen’s daughter, when I researched her mother’s private papers. Trina moved to New Delhi, India and became involved in the neglected Naga tribes’ welfare. She told me how sad she was that one village school looked like it was going to close, because it was so remote and most of the villagers were so poor, they could not afford to pay teachers to teach the 100 school-age children in the village. That village was Magulong, the school was Mount Kisha English School. This village was Ursula Graham Bower’s (The Naga Queen’s) favorite Naga village, and it was where she married her British Army officer husband in a true Naga ceremony. In 2007, my husband and I took on the job of sponsoring the school. Now all the children in the village are being educated. We have been there twice. The village is like paradise, well worth the eleven hour journey from the nearest town of any size, in a four-wheel drive vehicle, over crumbling mountain roads, followed by a five hour hike up a mountain. The villagers treat us like family, and indeed to us, they are our extended family. 

Joanne:   That is a fascinating story and I can see how those people have changed you forever. Many of us cross over genres and it is difficult to pinpoint one to fit our books. For the book we are promoting today, If you Love Me, Kill Me, what shelf would we find it on if it were in a bricks and mortar bookstore and what is the premise to the story?

Pauline: It would probably be in general fiction.  I hope If You Love Me, Kill Me will help anyone going through tough times caring for a loved one to forgive themselves for not being perfect in their care. All you can do is your best. I didn’t have a support system during the years I cared for my parents. Get one in place before you become so worn out that you don’t have the energy to do it.

Joanne:  Let’s talk a little about the writing process.  Are you published through a traditional publishing house? If yes, how did you find your agent and publisher?

Pauline:  No. After numerous rejections, enough to paper a wall, and being a cancer survivor who wanted to ensure my stories were available for others to enjoy, I self-published. I don’t waste time trying to deal with regular publishers.

Joanne:  What were the deciding factors to choosing your publisher? Would you recommend that same Indie publisher to a colleague?

Pauline:  I published through Create Space, a part of Amazon.com. I am delighted with their service and would highly recommend them.

Joanne:  Do you always write in the same POV or narrative or do you switch it up in different stories?

Pauline:  I wrote If You Love Me, Kill Me in first person. It is a very personal story interwoven with some fiction, based on my 7 years of caring for my elderly parents.

Joanne:  Do you follow a structure pattern such as staying in chronological order, or alternating points in time or different POV’s.

Pauline:   I generally write in third person and usually stay in chronological order. However, I wrote my dad’s story, A Corporal’s War first of all in third person then rewrote it as a memoir because, in first person, it felt more personal and poignant. If You Love Me, Kill Me I also wrote in first person for the same reason. As in If You Love Me, Kill Me, the book I am currently writing will have some flashbacks.

Joanne:  What was the hardest part for you in the writing process; the outline, synopsis, query or building the story itself?

Pauline:  Building the story itself is the easiest part, especially since a psychic told me I had to write about my own life in order to have success in my writing. I’m afraid I laughed at her and dismissed such an idea. I couldn’t imagine anyone being interested in my life. Nevertheless, I wrote Chasing Brenda and If You Love Me, Kill Me, two stories based on personal experiences, as is the book I am currently working on. Once I decide to write a particular story, I let the idea ruminate in my subconscious and after several weeks, the storyline and title suddenly appear. Then I start pounding my keyboard. I find writing the synopsis and outline difficult and ask my writing friends to advise me about how to improve and tighten them up.  

Joanne: What marketing techniques do you implement to increase your sales?

Pauline: Marketing is my weakness. (Laughs) In my twenties, I once took a vocational guidance course as I had no idea, and therefore no direction, on what to do in my life. I scored the lowest marks possible for sales and marketing. The only things I do are to tell my Facebook friends when I have published a new book, hand out bookmarks I have designed when I meet people who are interested in my writing and ask Tom Witt of the Naples Daily News to review my books. I must say I have noticed my Amazon.com sales are slowly increasing in a few countries, which I assume is from word of mouth advertising.  

Joanne:  What advice would you give to new writers just getting started with their first manuscript?

Pauline:  Don’t let the big picture of writing a novel make you freeze. Start with a vignette or a scene and build from there.

Joanne: I too was the primary care giver of my father, so I can relate to this story. I know many others will find your book encouraging and helpful when they take on this task so foreign to most of us.  Can you share a few paragraphs from If You Love Me, Kill Me, to wet out appetite?

I half carried and half dragged her into her bedroom and laid her on the bed. Her left side seemed paralyzed.

“I won’t be a minute. I’m going to call 911.”

Waiting for the ambulance, I held her hand, stroked her hair—and silently cursed God.

   How cruel can you be, you sick bastard? She’s blind, deaf, can’t walk, and now you’ve given her a stroke! Couldn’t let her die peacefully in her sleep, could you? No, you just have to keep heaping on the shit. I despise you!

The paramedics arrived, and I took them to Mum’s room.

“I think she’s had a stroke.”

They took in her distorted face, asked questions, and generally agreed it looked like a stroke.

“Which hospital do you want us to take her to?”

I was flummoxed. I hadn’t been expecting the question, thinking the paramedics would make that decision. I was too distraught to think straight.

“I don’t know.”

“The Community Hospital has the best reputation for treating heart and stroke patients,” said one paramedic.

“Oh no, I don’t want her to go there!” I blurted out. “They killed my father.”

He looked at me questioningly.

“They infected him, and he died,” I said.

“It’s where I’d take my mother,” the paramedic persisted. “It will give her the best chance.”

Overwrought, I kept looking at my mother and back to the paramedic not knowing the best thing to do. Close to tears, I surrendered my power and acquiesced to his suggestion. They quickly gathered her up and carried her from the house.

Posted in authors, characters, children, conflict, disabilities, family, fiction, writers

Barbara Claypole White talks about the trials of marketing your book.

Barbara-3 (2)

It is my pleasure to have Barbara Claypole White with me today on Author Interview Friday.  Barbara writes and gardens in the forests of North Carolina. English born and educated, she’s married to an internationally-acclaimed academic. Their son, an award-winning poet / musician, attends college in the Midwest. His battles with obsessive-compulsive disorder (OCD) have inspired her to write love stories about damaged people. The Unfinished Garden, Barbara’s debut novel, won the 2013 Golden Quill for Best First Book. Her second novel, The In-Between Hour, will be released on December 31.

The Unfinished Garden

You can connect with Barbara on her website www.barbaraclaypolewhite,

Facebook https://www.facebook.com/BarbaraClaypoleWhiter

Twitter https://twitter.com/bclaypolewhite.

Signed copies of The Unfinished Garden are available from: http://www.flyleafbooks.com/book/9780778314127

Amazon for TUG: http://www.amazon.com/Unfinished-Garden-Barbara-Claypole-White/dp/077831412X/ref=sr_1_1?ie=UTF8&qid=1379250026&sr=8-1&keywords=the+unfinished+garden

Pre-order link for The In-Between Hour: http://www.amazon.com/In-Between-Hour-Barbara-Claypole-White/dp/0778314758/ref=sr_1_1?ie=UTF8&qid=1379604945&sr=8-1&keywords=the+inbetween+hour

Barbara has offered a giveaway for a signed copy of The In-Between Hour and will ship it anywhere in the United States. All you have to do is leave a comment so we can draw a winner.

Joanne:  When did you first know you wanted to be a writer?

Barbara:  I can’t remember a time when I didn’t want to be a writer. I penned stories and poems as a child, scribbled in diaries as a teenager, then churned out press releases and trade articles when I worked in P.R. (Writing’s still writing!) However, I didn’t realize my childhood dream of becoming a published author until I turned fifty. My motto is never give up.

Joanne: Do you have a background in writing or did you take any courses along the way?

Barbara:  I was a history major who worked in the London fashion industry. (I know, I never take the direct path.) I started messing around with my first—unpublished—novel twenty-five years ago, but I wasn’t terribly focused. After I became a stay-at-home mom and my son entered the school system, I began writing in the mornings and took an evening class at my local arts center. Gradually I developed a writing routine, became more serious about honing my skills, joined writing organizations, went to conferences, found critique partners, and entered competitions for unpublished manuscripts. And I read and read. All those steps helped prepare me to become an author.

Joanne:  Are you published through a traditional publisher? How did you find your agent and editor?

Barbara:  I’m thrilled to be a Harlequin MIRA author. MIRA is the imprint of Harlequin that handles literary commercial or book club fiction, and when they were considering The Unfinished Garden, my agent warned me the acquisitions team is tough. To be honest, I still can’t believe I’m a MIRA author, and I wouldn’t be without my agent, Nalini Akolekar of Spencerhill Associates.

I found Nalini on the Writer’s Digest new agent alert, researched the heck out of her, and spent two weeks creating a personalized query letter. (Yes, one letter, two weeks.) She offered representation a week after I queried her. From the beginning, Nalini made everything easy. She had a plan, I did nothing, and three months later I had a two-book deal. Did I mention that I love my agent? 🙂

Joanne:  Authors and publishers talk about finding your voice. What does that mean to you and how did you find yours?

Barbara:  If you’re on Twitter, read Marian Keyes’ posts. That woman has bucketloads of voice! Your voice is the way you express yourself—your use of language, humor, etc. I think it also reveals your inner core. To find your voice, you have to dig deep; you have to expose the most personal. I guess I found my voice when I stopped trying so hard and subconsciously reverted to my letter writing style. Throughout college I wrote long, unedited letters—filled with voice.

Joanne:  What marketing techniques do you use to increase your sales?

Barbara:  My marketing approach is slow and organic—like my writing. I see connections and follow instincts. For example, I persuaded a local gardening magazine to do a small piece on The Unfinished Garden, even though the editor told me—emphatically—she didn’t review fiction. My angle? The novel has local, rural settings and numerous references to indigenous plants her readers would enjoy.

Marketing is really a giant jigsaw puzzle with some very small pieces. You don’t have to think big, but you do have to connect with others. The half hour you spend answering an email from a reader is still part of your marketing campaign.

Obviously the first step is to write the best book you can, but 90% of everything that happens next revolves around networking. It takes a village to promote a book. Authors helping authors is a huge part of the equation. Be gracious to other authors—post reviews of their books, share their blog posts, and go to their readings. There is a wonderful pay-it-forward subculture amongst authors.

I do believe in blog tours, since most reviewers are online, but the cornerstones of my marketing efforts are always local: booksellers, book clubs, media. I organized readings for The Unfinished Garden at all my local bookstores, publicized them through the local events’ listings, and contacted editors of local papers, newsletters, and magazines for ‘local girl makes good’ stories.

Reaching book clubs has been key for TUG. (Over a year out, I still have book clubs on my calendar.) I started by emailing everyone I knew, and I accosted anyone who made the mistake of mentioning, “I’m in a book club.” Also, one local bookseller became my champion and recommended me to a number of book clubs and literary organizations. That’s a perfect example of the power of connections. (I made a point of introducing myself to her months before the novel came out.)

Marketing is a slow burn, but if you build a solid foundation, it does get easier. And you find yourself happily saying to anyone who asks, “My second novel, The In-Between Hour is the story of two broken families coming together to heal, and you can pre-order it NOW! on Amazon, Barnes & Noble, or Indiebound.”  Or, you can leave a comment below for a chance to win an advance reader copy. See? I just did a little bit of marketing….

Joanne:  What great advise.  Thank you Barbara.   Now readers,  here is a sneak peek into The In-Between Hour

 The In Between Hour

The In-Between Hour (Harlequin MIRA, December 31, 2013):

 Will imagined silence. The silence of snowfall in the forest. The silence at the top of a crag. But eighty floors below his roof garden, another siren screeched along Central Park West.

Nausea nibbled—a hungry goldfish gumming him to death. Maybe this week’s diet of Zantac and PBR beer was to blame. Or maybe grief was a degenerative disease, destroying him from the inside out. Dissolving his organs. One. By. One.

The screensaver on his MacBook Air, a rainbow of tentacles that had once reminded him to watch for shooting stars, mutated into a kraken: an ancient monster dragging his life beneath the waves. How long since he’d missed his deadline? His agent had been supportive, his editor generous, but patience—even for clients who churned out global bestsellers—expired.

Another day when he’d failed to resuscitate his crap work-in-progress; another day when Agent Dodds continued to dangle from the helicopter; another day without a strategy for his hero of ten years that wasn’t a fatal “Let go, dude. Just let go.”