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Author of the Maverick Junction series visits Writing Under Fire


Today I have the honor of having Lynnette Hallberg, writing as Lynnette Austin, with me on Author Interview Friday. Lynnette has six books already in print, two more scheduled for release and a ninth book in progress. All of this beginning in 2000, with the majority in the last three years. This is one busy woman. Lynnette, it is such a pleasure to have you. I know you must have tons of great advice to share with other writers and avid readers.

Lynnette Austin
Lynnette Austin

First, Joanne, I’d like to tell you how wonderful it is to stop by your blog. Thanks so much for having me. I hope everyone will get comfy, pour a cup of coffee or something cold, and enjoy!

Joanne:  Are you published through a traditional publishing house? If yes, how did you find your agent and publisher?

Lynette:  In 2000, I sold my first book, Enchanted Evening, to Kensington. Before they could buy the second, though, the line closed. I spent the next nine years writing, writing, writing, and receiving rejection letters—even with an agent. But I kept at it—and have a pile of manuscripts in my basement to prove it.

In 2010, I heard about a fairly new small press—The Wild Rose Press—and published three books with them that year—Moonlight, Motorcycles, and Bad Boys; Night Shadows; and Chantilly Lace and a Pretty Face.

In 2011, I sold Just a Little White Lie to Carina Press, an arm of Harlequin.

Then in 2012, my new agent sold my Maverick Junction series to Grand Central Publishing in New York City. Grand Central is under the umbrella of Hachette Book Group. The first, Somebody Like You, came out last December. The second, Nearest Thing to Heaven, releases October 1st. Can’t Stop Lovin’ You will be out in February. I’m working on the fourth, tentatively titled The Heart Won’t Lie.

I guess the important point here is to never, ever give up on your dream.

Joanne:  What advice would you give to new writers just getting started with their first manuscript?

Lynnette:  The first is simply to write. I know. Basic. But in order to be published, you have to keep that butt in the chair, keep that story moving, and get it finished. Then you need to go back and edit, edit, edit. When you send that baby into an agent or editor, it should be looking its Sunday best.

The second piece of advice would be to persevere. It’s so easy to get discouraged and give up. Don’t. If you really want published, hang with it, listen to advice, use what you can, and discard the rest. Always remember that the story, the voice is yours. You will not fail in your quest for publication until YOU quit trying. Perseverance truly is the keystone to getting and staying published.

I’ll share, too, a piece given to me by another writer, one I think is so important. Someone told me early on to keep in mind that the writing community is actually quite small. Editors and agents move around a lot. Don’t burn your bridges—ever. Always remember this is a profession and behave accordingly. Don’t let your emotions rule.

Okay. A couple more things. J Writing is a habit, kind of like exercise. Train yourself to grab spare minutes rather than waiting for those huge blocks of time. When I was still teaching, I’d get up at four-thirty or five in the morning so I could write for an hour or so before getting ready for school. When I came home, I’d write for half an hour before starting dinner. It’s often about making time and setting expectations.

Keep writing—every day—and keep the story moving forward. Don’t worry about getting every word, every scene perfect the first time through. So many new writers work and rework those first few chapters, polishing them until they shine. That won’t get the book completed. Chances are, by the time you do finish, you’ll have to go back and edit those first chapters again anyway because by then you’ll know your characters inside and out. You’ll know what they’d do and how they’d react so much better than you did when you started that manuscript. Don’t waste time striving for perfection on the first draft.

Keep in mind, too, that yes, your manuscript is your baby. Yes, you’ve poured your heart and soul into it. Yes, you’re deathly afraid an agent or editor might say something bad about that baby. If you don’t submit, though, you won’t sell. That’s one of the few guarantees in this business.

Joanne:  What is the biggest mistake you made early in your career?

Lynnette: I think the biggest mistake I made was in not following up when an editor sent a rejection letter asking to see my manuscript again after specific rewrite suggestions. I made the rookie mistake of assuming that was simply her way of letting me down easy, and that’s so not true. If an editor takes the time to give you suggestions and asks to see it again after you’ve made them, he or she is serious. Editors—and agents—have way too much work to do to spend time on a manuscript that doesn’t show promise for their line.

Joanne:  What is the premise of your novel we are promoting today?

Lynnette:  Nearest Thing To Heaven is the second in my Maverick Junction series and, at heart, it’s a story about being given a second chance at love.

Maverick Junction, Texas, is kind of the quintessential small town, full of quirky characters and neighbors who watch out for each other, who take care of each other. I love writing small towns. There’s a flavor to them that can only exist there. Maverick Junction is a blend of every small town I’ve ever been in. I swear, after spending three books, and now working on a fourth, in this Texas town, I know it as well as I do my small hometown in Pennsylvania. Maverick Junction—and its people—have become very real to me.

With the holiday season fast approaching. Sophie London finds herself back in Maverick Junction for her cousin’s wedding to Cash Hardeman and runs headlong into Ty Rawlins, the widowed father of rambunctious triplets. Sophie, owner of Stardust Productions, believes in fairies and magic. Long-horned cattle, wide-open spaces, and four-year-olds with fishing worms dangling from their poles are enough to make any city girl run all the way back to Illinois in her Jimmy Choos. Ty, busy with the day-to-day duties as single daddy and owner of the Burnt Fork Ranch, has no time for romance. He’s had love and lost it. Yet he finds himself thinking of Sophie night and day. Can Ty convince both himself and Sophie that Maverick Junction is where she belongs, right beside him and his boys?

Nearest Thing to Heaven

Nearest Thing To Heaven will be released October 1st. It’s currently available for preorder on both Amazon: http://www.amazon.com/Nearest-Heaven-Maverick-Junction-ebook/dp/B00A2DONIU/ref=sr_1_1?ie=UTF8&qid=1377959365&sr=8-1&keywords=nearest+thing+to+heaven

and Barnes and Noble:   http://www.barnesandnoble.com/w/nearest-thing-to-heaven-lynnette-austin/1113742241?ean=9781455528387

 Joanne:  Can you share a few paragraphs from your book to wet out appetite?

 

Nearest Thing To Heaven

Ty Rawlins banged around in his kitchen, feeling more than a little frayed along the edges. Things weren’t going well. He glanced at the clock, then did a double take. The thing was practically sideways on the wall. Twelve o’clock settled somewhere around the spot where two o’clock should be. One of the triplets must have whacked it with a sword during last night’s duel to the death.

Guess he’d have to hang it higher.

He should have let one of the hands finish up the horse feeding so he’d have enough time for the kid feeding. Somehow, time was something he never had enough of.

Okay, so he was a single parent. All across America, single moms managed to take care of the kids, the house, and hold down a job. If they could do it, he sure as hell ought to be able to.

And now he had to go to this damn dinner tonight. He dropped a spoon into the far-from-empty sink. It wasn’t that he wasn’t happy for Cash and Annie. He was. But it stirred up memories he didn’t want to visit. Memories of far happier times now gone. Forever.

A crash sounded from somewhere in the vicinity of the living room.

“Uh-oh. Daddy’s going to be mad.”

That would be Jonah, Ty thought. The conscience of the trio.

“It was your fault.”

Jesse, the finger-pointer.

Ty set the pan of over-cooked spaghetti on a hot pad and strode off to the front of the house to check out the latest damage. He took a deep breath and surveyed the mess. Nobody was hurt. No blood anywhere. And Josh was right. Nothing was broken. In the grand scheme of things, this was a minor bump. A mere blip on the uh-oh meter.

Again, thanks so much for having me today! It’s been fun! Please come visit me at http://www.authorlynnetteaustin.com. Nearest Thing to Heaven, along with Somebody Like You, may be purchased through Amazon and Barnes & Noble. My earlier books are published under Lynnette Hallberg.

Author:

There are two sides to every story. I like to write about the "other side." I like to challenge my readers to dig deep into their conscience and see life through someone else's eyes.

One thought on “Author of the Maverick Junction series visits Writing Under Fire

  1. Hi Lynette, I really enjoyed your answers here on Joanne’s site. They were informative and interesting. I agree we must write from beginning to end so to have the entire context there to play with. Yes, edit edit edit until blue in the face. I have been sick for nine years and wrote my entire story in four months while bedridden. Living alone and finding my way further down Lord’s pathway, the Holy Spirit guided me through much of the story.

    The editing was the longest lived for me than any other aspect of creating the novel. Marketing now is turning out to be a major awakening even with a publicist. I tucked my novel away for a few years and within the past year or so I spent time editing until the final product. I feel when we are finally happy with the finished product, then we know where and when to move ahead with the publishing. I, too, tried plugging the novel shortly after writing it, not realizing so many factors that negatively reflected my writing. So I learned what we speak in general conversation versus how we write from a narrative direction is hugely different.

    Thanks for you good input Lynette

    Like

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